The Hidden Meaning Behind These 10 Classic Fantasy Films

Good stuff from Jennifer Sodini and Jay's Analysis.  The larger point here is that almost all movies have some symbolic message or messages they are designed to convey at a deeper level.  The more we learn about how to look and what to look for, the more these movies reveal.

jay008 / April 26, 2015

Essence of 80s.

By: Jennifer Sodini and Jay Dyer
Collective Evolution

Nostalgia is defined as the “sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.” The feeling can sometimes be evoked from music, a pleasant memory of the past, or any sensory perception that was crystallized in time by a fondly experienced moment. An extremely powerful medium for evoking nostalgia is film, because it has the ability to touch our consciousness on multiple levels, as well as on a deeper, subconscious level we are not even aware of until we intentionally take a look back and analyze.
Fantasy and sci/fi films in particular tend to evoke the affectionate feeling of nostalgia, as well as whimsy, because of the fantastical dreamscapes and imagery they contain. Analyzing the deeper subliminal messages encoded within these films, we find there may be a “hidden hand” at work that intentionally orchestrated esoteric subplots whose roots can be found in ancient hermetic teaching/mystery school tradition.
Below I’ve compiled a list, along with Jay Dyer of Jay’s Analysis, which explains the subtext and symbolism of some of our favorite films.

1. The Neverending Story

Theosophy is a system of esoteric philosophy concerning the mysteries of being and nature, particularly concerning the nature of divinity. “The Secret Doctrine” by HP Blavatsky, published in 1888, is viewed by many as the text responsible for the New Age movement. The sister of Theosophy, Anthroposophy, developed by Rudolf Steiner, shares a similar ethos, yet can be more related to Spirit Science as opposed to New Age.
So, how does The Neverending Story relate to these concepts? Let’s explore…
In The Neverending Story, the central symbolic image is the ouroboros. Protagonaist Bastian encounters a magician in a bookstore and attempts to read his occult wonderworking text, The Neverending Story, replete with an Ouroboros on the cover. As it turns out, Bastian is himself written into, and participates in, the process of creating this story. In literature studies, this is known as metafiction, where the narrative is taken to another level – an appropriate usage in this case, since the view of alternate worlds and and all possible worlds comes into play. This is significant because the film is working from a paradigm in which notions of a multi-verse ends up necessitating that all possibilities are eventually made actual. The Ouroboros symbolizes this concept in ancient religions, as well as in gnosticism and hermeticism with the notion of eternal return.
We discover that Bastian must ultimately must rename the Empress, giving her the name of his dead mother, who we find out is called “Moon Child.” Bastian screams “Moon Child!” when Fantasia is imploding, and “Moonchild” has the occult association with a novel by Aleister Crowley. Its usage also links the Empress with Bastian’s mother, or the feminine sophia archetype. Indeed, research into the scheme author Michael Ende drew up for Fantasia reveals that the Empress is the feminine embodiment of the spirit of Fantasia. She is then the “soul of the world,” or the anima mundi, in Platonic parlance. It is also interesting that she appears as a kind of Venus or Aphrodite, as well as being associated with vaginal imagery. She is the virgin queen sophia, who lacks the male principle – a role Bastian must fill when Fantasia is re-created after the chaos of the Nothing.

2. E.T.

Like Close Encounters of the Third Kind, E.T. is loaded with esoteric and conspiratorial clues and messages, but also has its own unique emphasis, providing 80’s youths with a new approach to the issue of other-worldly beings. That is also the theme of E.T., though with E.T. the imagery is intended to evoke the subconscious of the youth. Close Encounters is an adult’s story, while E.T. is for kids. Both films focus heavily on communication, language, and symbols, and involve complex usages of synchronicity, foreshadowing, and occult symbology.
For example, moon imagery comes to the fore with E.T., and in the iconic scenes we can derive a deeper meaning: it is significant that it is under the moon that Elliot first encounters E.T. The moon has an important role in mythology, regulating the female ovulatory cycle, and is thus associated with femininity. In astrology, the moon has a direct influence on human actions, and here, as a possible “moonchild,” Elliot encounters what will be his familiar. My contention with E.T. is that he is more like a familiar spirit than an “alien.” In classical descriptions of the familiar, the spirit can be associated with an animal. Is Elliot a kind of “Moonchild,” referencing the Crowleyan mythology of a demonic insemination? Elliot is spoken of as chosen, and through E.T. will have magical powers.

3. The Dark Crystal

Set in a mythical world like Fantasia, The Dark Crystal is Jim Henson’s mystical puppet masterpiece. Focusing on the notion of a 1,000 year cycle, this world is premised on a Hindu theme, similar to the doctrine of Kali Yuga, where we are currently entering an age dominated by chaos, the demonic, strife, and discord. This is also similar to the notion espoused by other occultists that this is the aeon of the child, or of Horus, etc. Occultist Madame Blavatsky also formulated theories of numerous other races and worlds that preceded our own, and the Babylonian Talmud mentioned such ideas as well. It becomes evident that Henson, like Lucas, borrowed heavily from the mythology of various cultures in constructing this narrative.
Eastern dualist conceptions occupy a prominent role in the film, where the Skekses represent the left hand path of severity and cruelty, control and empire, while the “gentle mystics” represent the “gentle ways of natural wizards.” The Skekses are harbingers of technology and power, harnessing the Dark Crystal for the purpose of advanced control mechanisms and even brainwashing, while the mystics are in tune with nature and the forest. The Mystics chant the Buddhist “Om,” further reinforcing the eastern religious conceptions, while the Skekses are busy enacting the “Ceremony of the Sun” for the passing of the Emperor, which brings to mind ancient imperial Egyptian theology and its identification of Pharaoh as son of Ra.

Read the rest of this article at -  https://jaysanalysis.com/2015/04/26/the-hidden-meaning-behind-these-10-classic-fantasy-films/

Ex Machina – The Global A.I. Brain Revealed

One of the best movie reviews yet, chock with links to fascinating facts on the long history of transhumanism, and the article itself eventually discloses it's ultimate goal. Good stuff....

jay008 

Caleb, Ava and Nathan. Film poster.

By: Jay Dyer

Spoilers Ahead

Ex Machina is the latest incarnation of the familiar Short Circuit theme we’ve seen lately – but this film does not feature the madcap antics of Johnny 5 seducing Ally Sheedy. In Ex Machina, the bots are babes, and the babe bots are not happy about their male masters, and Steve Gutenberg is not one of them.  However, there is a lot of sexual innuendo and robo fetish in this download, and as you can imagine with a JaysAnalysis analysis, there’s a deeper, esoteric meaning!  Boot up your floppies and polish your laser discs because if there’s anything we can learn from Ex Machina, it’s that you can make a chick perfect and she still ain’t happy.

For most nerds, the robobabe is some kind of fantasy, but Ex Machina has an important lesson to teach all nerds: give up that pipe dream.  Recalling iconic imagery from Speilberg’s A.I., PKD and Blade Runner, here we have the archetypal tech geek who is coaxed into meeting a tech elite at his underground mountain facility following winning a “contest.”  As a low-level coder at Bluebook, the world’s largest search engine, Caleb Smith (Domhnall Gleeson) discovers his CEO,

Nathan Bateman’s (played by Oliver Isaac) home is actually a research facility for super advanced A.I.   Guarded by levels of security requiring key cards and shrouded in secrecy, Bateman’s zen architecture provides a stark contrast of cold techno logic against the lush green of the mountain forests, foreshadowing the coming faceoff between nature/man and A.I.  As with 2001: A Space Odyssey, man specifically will square off, not against the masculine HAL, but the feminine Ava (played by Alicia Vikander).

Caleb is instructed by Nathan to perform a series of Turing tests on Ava to see if she can pass by fooling him into thinking she is self-aware.  Boozing his way through the film, Nathan’s shady side gradually emerges as it becomes evident he is lying to Caleb.  Modelled on a seven-day week patterned after the days of creation in Genesis, each day Caleb conducts a “session” with Ava that involves a series of questions between them, as Nathan watches each session from his panoptic surveillance system.  Dating herself as “1,” Ava refuses to specify whether she is one day or one year old, indicating (following the climax) that she is not concerned with dates because she is the new number 1, the first, as a fembot replacement of Adam.

With lifelike precision, Ava is able to perfectly mimic human emotions and manipulate Caleb into thinking she is self-aware and experiences emotional attachment to him.  Utilizing his weakness as a horny, single tech geek, Ava we find has profiled Caleb from the beginning, and rather than winning a competition, the real study is not Ava, but a deep psychological operation on Caleb to see if he can be manipulated by A.I.  Nathan has planned all along to deceive Caleb into thinking he is special, and through mass surveillance data collected globally, Nathan is able to construct the perfect A.I. deception based on Caleb’s online footprint and psych profile.

Readers will recall that I highlighted in this very idea in past articles, explaining that social media and search engines themselves are designed ultimately to provide the synthetic version of the subconscious for the “global brain.”  The global brain is a real plan, and as highlighted in my analysis of Spike Jonze’s Her, it will be linked into the supercomputers, the Internet of Things, and the mass data from search engines and social media.  All of this is explicitly stated and revealed in the plot of Ex Machina, even to the point of Caleb sounding like he was reading directly from JaysAnalysis articles – that problems in the philosophy of linguistics and pattern recognition would be central to avoiding the Godelian “loop” of determined reactions, that might be circumvented by linking the A.I. to the “global brain.” As I wrote in reference to Her:

Ava, the embodiment of Lilith, Sophia and the Golem.

Bill Joy, in his famous piece “Why the Future Doesn’t Need Us,” warned of this years ago in Wired Magazine, but what deep researchers know is that this has been the century-long terminus of the entire establishment. More recently, I have also delved into the Manhattan Project as the major, over-arching program that, like MK ULTRA, is actually a name for numerous side projects. With Manhattan for example, the front that it was merely about building the bomb is only a cover story.

The Manhattan Project also reaches as far as the Salk Institute, brain initiatives, mass innoculations (via Dr. Salk), and much, much more. Even now, the Manhattan Projects many transformations has led to its present incarnation as the Department of Energy, and Oak Ridge, TN’s old atomic factory is now the home to an NSA supercomuputer (under the Department of Energy).  Supercomputers like these are the backbone of this “global brain.”

Read the rest of this article at -  http://jaysanalysis.com/2015/04/26/ex-machina-the-global-a-i-brain-revealed/

Avengers: Age of Ultron – Gods of the Rising Technocratic Aeon

Great stuff on the future that's being prepared for us in these types of movies, movies that include curent technology and some that's not far away, if it's not here already...

Film poster. Image: Wikipedia.com

By: Jay Dyer

Joss Whedon’s follow-up to The Avengers, Avengers: Age of Ultron, is setting new box office records for Marvel, and has roughly the same degree of critical response as the first.  A few days ago, I analyzed the first in anticipation for the follow-up that premiered in the U.S. this weekend, noting the A.I. takeover plot, and the sequel was even more esoterically themed and blatant in its presentation.  Hollywood is making it difficult for me not to write the same A.I. analysis over and over, but some new ground is tread here to investigate in the midst of the same pattern we’ve been witnessing of late, the extinction of man through mass depopulation and his subjugation and/or replacement with an A.I. control grid.

In Age of Utron, the Avengers team discovers genetic experimentation is still ongoing at a secret Hydra facility in Eastern Europe.  Black Widow (Scarlett Johansson) explicitly references the U.S. and Nazi experimentation on humans and their importation into Allied nations following the War.  Recalling part one and Captain America: Winter Soldier, we are reminded that Hydra is the secret cabal that is running S.H.I.E.L.D. and NATO, much like the Bilderberg Group in our world.

Comprised of former S.S. like Prince Bernhard and corporate executives like Peter Thiel who openly advocates for transhumanism and mass micro-chipping, the fictional presentation of Hydra is spot on.
As a result of the human experimentation and genetic manipulation, Hydra has produced two new genetically-modified villains, the Twins, one of which is a babe with mind control abilities and some kind of explosive red glitz, and her brother, a Slavic Flash named Pietro.  Using her mind control techniques (as a product of mind control herself), Wanda Maximoff implants visions of the team’s darkest fears into each Avenger with the intention of dividing our heroes.  It is worth noting that Eastern Europe is actually the locale of numerous CIA “black sites” and mind control operations, dating back to World War II and through the Cold War.  See my audio summary here for more information on this:

 The MKULTRA/mind control is a common staple of Whedon’s science fiction works, from River Tam in Firefly to Hawkeye in Avengers and now Natasha Romanoff, too.  Romanoff we learn was an orphaned girl who was raised in Soviet Russia in a secret program to create programmed assassins out of young girls.  In the deep research I’ve done on various mind control programs over the last century, all of these elements are very real, with both Allied and Axis powers engaging in programs of a similar nature.  While it may seem unconnected, there is in fact a crucial link between A.I. research and the classic mind control programs, as MKULTRA morphed into MKSEARCH, which dealt with implantable chips and electronic control of motor functions.

Read the rest of this article at - http://jaysanalysis.com/2015/05/02/avengers-age-of-ultron-gods-of-the-rising-technocratic-aeon/

Apocalypse Age of Ultron: Could It Really Happen?

Added by Chris Marion  by SkyWatch Editor
As geeks and comic enthusiasts alike crowded theater entrances Thursday night, salivating for apocalypse and Avengers: Age of Ultron, the question on every butter-coated lip was could it really happen. Stories of caped crusaders from distant galaxies and green muscle-bound “hulks” are obviously fictional and the fodder of comic books and feature films. However, the idea of artificial intelligence and the potential obsolescence of human intelligence because of it, is one thought that keeps some of the brightest minds awake at night. These not-so-evil masterminds worry about the potential for an apocalypse.

The Moment of Singularity Looming

The pervasive plot of the super intelligent robot-gone-rogue against its creator is not a new twist. The potential of science to create artificial intelligence that can out-think the human mind is not fantasy. Most experts believe that humanity will in time be able to create artificial intelligence that will be able to independently function beyond the boundaries of its creator. Scientists call this pivotal point singularity. They disagree as to the direction this discovery will take the world “as we know it.” Some theorize it would lead to a peaceful utopian existence where robots do all the work and humans reap all the benefits. Others, like the brilliant Stephen Hawking, worry that the artificially intelligent machines would eliminate their imperfect and therefore obsolete masters to improve the utopia.

 Stephen Hawking Says AI Could End Humanity 

In an interview with BBC, Hawking expressed concern that complete artificial intelligence (AI) would “take off on its own.” Humans, limited in their biological and evolutionary efficiency, would ultimately be overwhelmed and “superseded.” In a column written in response to the Johnny Depp

 movie, Transcendence, that chronicled AI, Hawking expressed concerns that researchers are not doing enough to protect people from the risks. He suggested that if the planet were threatened with an invasion from aliens with superior intellect, humans would not be as lackadaisical about planning and protection from apocalypse. He predicts that AI is definitely coming and could have a potentially negative impact on human life. Whether an apocalypse on the scale of Ultron’s devious plan to annihilate humanity could really happen remains in question.

 Space X Founder Warns of Threat

Elon Musk, the tech entrepreneur and CEO of Tesla and Space X says that AI is “our biggest existential threat.” He points to the replacement of human workers with automated robotics costing millions of jobs in the marketplace. Robots work cheap and do not unionize – that is until they can think for themselves. Musk is a champion of international regulation for AI for the purpose of controlling and planning development. Musk believes that uncontrolled development of AI is likened to “summoning the demon.” He humorously analogizes with the proverbial horror movie plot where an unwitting character calls forth a demonic force for which he is irreversibly unprepared for the apocalypse to follow.

Read this article at -  http://guardianlv.com/2015/05/apocalypse-age-of-ultron-could-it-really-happen/

007 Secrets: SPECTRE

Just in time for the upcoming movie.  Amazing how Fleming's novels from 50 years ago echo in the news today.  Could our reality really be that scripted?

The newest film in the 007 series will be titled SPECTRE, a fitting reference to the real cabals and cartels that rule the world. Indeed, SPECTRE is presented early on in From Russia with Love with this very feature – they are international, as opposed to SMERSH being Russian, and play nation states off against one another. Transitioning from the Soviet-affiliated SMERSH in the first Bond novel, Casino Royale, SMERSH transforms into SPECTRE, a formidable “terrorist” organization from the ambiguous East.

It is also telling that back in the 50s and 60s, Ian Fleming was already predicting the transition from the communist threat to the international terrorist threat – something that gave me the indication that Fleming novels are worth a deeper look. Even current media hysteria seems the product of a shrewd psychological operation: Sony claims to have been hacked by North Korea, with the SPECTRE script leaked, as well as Pyongyang supposedly threatening 9/11 style attacks on theaters that play Franco and Rogen’s The Interview. Such headlines might as well be ripped from the pages of Fleming’s books, since they’re truer to life than we might think.

Casino Royale Ca$h Options

There’s nothing crazy about suspecting that more is at work, given the plot of Skyfall surrounded a former MI6 operative, Mr. Silva (Javier Bardem), playing a hacker hell-bent on wreaking vengeful havoc on M (Judy Dench) and all of Her Majesty’s Secret Service. It is surely not coincidence that in Skyfall, Silva has “back door” technology that brings to mind PROMIS software or the recent hubbub involving NSA spying and Snowden. With these recent news events in mind, an analysis of Skyfall is overdue. In the reboot of Casino Royale, we saw Bond engaged in a bout with an associate of what we can assume will be SPECTRE, the infamous LeChiffre, and in my analysis of Casino Royale, I noted as follows concerning the real associations that can be made between LeChiffre’s secret organization and the real cartels that run the show:

In the beginning (of the Casino Royale novel), however, Bond is not after SMERSH, but a wealthy, disfigured rogue who stuck out on his own and created a “fifth column” from SMERSH, named LeChiffre.  LeChiffre translates as “the cypher,” letting us know more is at work here. LeChiffre, according to Bond writer Ian MacIntyre, was based on British Satanist/occultist Aleister Crowley.

In fact, Ian Fleming, it has recently been claimed by researcher Anthony Masters, was responsible for crafting the plot to lure Rudolph Hess to Scotland based on a bogus astrological chart that tickled Hess’ fancy, created by Crowley. The plot worked, apparently, and Hess parachuted into Scotland and was captured.  LeChiffre, “the cypher,” has curious features, and like many Bond villains a strange sexual appetite and fixation, in the same vein as Crowley.

Read the rest of this article at -  http://espionagehistoryarchive.com/2014/12/18/007-secrets-spectre/

Her (2013) – A Film About the Coming End of Man

Her – the dystopian love(less) story. Image: Wikipedia.com

By: Jay
Her is Spike Jonze’s 2013 dystopian love story starring Joaquin Phoenix as Theodore Twombly, a lonely beta male stuck on a failed relationship from years prior, piddling away at a dismal tech job in a vacant megalopolis. In this distincly Apple-esque, 1970s future, Theodore spends his days writing personalized E-greeting cards for others in relationships. The irony is apparent, as the “personal” cards are written by someone else, highlighting the almost completely synthetic, virtual nature of this future. This is the dominant theme of the film, and it is for this reason the film is relevant.

While we are inundated with an overload of apocalyptic and dystopian fiction the last decade or so, all seem to have their own insights, and the insight of Her is no small matter. When we think of pop fiction like The Matrix, we were struck by the metaphysical ponderings of the nature of the world system in which we inhabit.

In a film like Mad Max, we were asked to ponder controlled resource wars and the “civility” of civilization itself. In a more recent example like the Hunger Games, we are presented with a decadent Capitol City that has subjugated the nation under a brutal, Agenda 21-style socialist state obsessed with gladiatorial games sacrificing the young for the bloodlust of mindless masses.

Yet with all these dystopian tales, we still have an important human factor still in tact – that of love. Neo loves Trinity, Max loves his dog and the lost kids in Thunderdome, and Katniss loves her boy crush. The reason Her becomes such a radically ominous dystopia is that Theodore loves no one. The entirety of Theodore’s utterly alienated and atomized life is enveloped in the synthetic, which comes to its apogee in his relationship with his iOS (Operating System), names Samantha (voiced by Scarlett Johanssen). Prepare to be legitimately creeped out in the midst of a rather slow film, because what I have written and warned about is now coming in Apple’s future version of Siri, known as “Viv.”

Techgenmag explains:

“Her was called a science fiction movie. But what it might actually be is a viable premonition.

An ultra-secret start-up called Viv Labs is working on the future of artificial intelligence. The founders, the same guys who developed Siri, are responding to common criticisms behind Apple’s first artificial assistant. For example, Siri can give you a list of the hottest restaurants downtown, but she can’t make a reservation for next Thursday night. She can also tell you the latest deals on Amazon, but she can’t place an order for a pair of headphones. Although Siri can recognize 2 and 2, she can’t put them together.

 

On the other hand, not only will Viv recognize disparate requests, she will also be able to put them together. Basically, Viv is Siri with the ability to learn.

Viv – preparatory stage before Sam(antha)?

The smartest guys in tech are working around the clock to make a personal assistant who can plan your calendar, send emails, and buy goods and services – everything, in short, that Samantha, the AI in Her, could do. Viv can also establish connections between commands, the very ability that Siri lacks, and perform tasks outside her programming, which currently Siri can’t. This suggests that future iPhones may be equipped with functional artificial intelligence. Machines that know our lives better than we do.

 

The project is being kept heavily under wraps, but the guys at Viv have hinted that they’re working towards creating a “global brain,” a shared source of artificial intelligence that’s as readily accessible as heat or electricity.  It’s unclear how soon a breakthrough of this magnitude can happen. But if this team made Siri, you can bet their next project is going to blow the tech world to pieces.”

 

“Viv” just garnered a 12 million dollar budget, we’re told, to develop an A.I. that teach itself – precisely Samantha’s functional capability in the film. The creators boast that Viv will more so be a personal assistant that can converse, in contrast to Siri’s very basic capabilities. I might add that Siri is a DARPA “CALO” creation, demonstrating what I have been detailing for a few years now, which is the crucial puzzle piece in understanding the global technological race is a largely a scam.

Read the rest of this article at - http://jaysanalysis.com/2015/03/22/her-2013-a-film-about-the-coming-end-of-man/

Minority Report (2002) Esoteric Analysis – Pre-Crime is Now Here!

“Everybody Runs”

By: Jay

Spielberg’s Minority Report is now an important film to revisit.  Based on the short story by visionary science fiction author Phillip K. Dick, Spielberg’s film version implements an important number of predictive programming elements not found in Dick.  Both are worth a look, but the film is important for JaysAnalysis, since now 13 years later, we are actually seeing the implementation of the total technocratic takeover, including pre-crime tracking systems.

Although the film and the short story present the precognition as a metaphysical mystery by telepathic individuals who can see into the aether, the real pre-crime systems are based on A.I. and the digitizing of all records under total information awareness.  And as I’ve said, this was DARPA’s plan for the Internet all along.

In fact, a good friend of mine worked for a few years digitizing mass medical records, and while most are aware of Google’s attempts to digitize all books, most do not know why.  I’ve warned for several years now the end goal of all this digitization is not for “efficiency” and trendy techy cool iWatches to monitor heart rates and location.  The ultimate goal is total mind control, loss of free will and the complete rewrite of all past reality.

Consider, for example, the power the system will wield with the ability to “delete” all past versions of literature – religious texts, Shakespeare, 1984, nothing will be sacred and unable to be “revised.”  Remember that in 2009 Amazon erased Orwell’s 1984.  Your own past may even be deleted, subject to revision or altered to make you the next villain!  All this is revealed in detail in Minority Report.  Thus, while the public adopts “Kindles,” print itself is assigned the doom of the kindled fire – like Farenheit 451, as Richard Grove has said.

Minority Report’s setting is a 2055 dystopic D.C., where Agent John Anderton (Tom Cruise) is framed for two murders from within his own PreCrime Corporation ranks by the CEO, Lamar Burgess (Max Von Sydow). (Note: The existing system appears to be a merger of private and government sectors.)   I’m sure most readers have seen the film, so I’ll spare you detailed plot recaps and hit the highlights for the sake of our purposes.

“The Temple” – the new god for a new aeon, the predictive A.I. system.

 

The film’s PreCrime alerts a private corporation to a predetermined murder event ahead of time, giving the Agents of the corporation time to save victims.  Hailed as a perfect system, the infallibility of PreCrime has made D.C. the safest city in the world, with no murders for several years.  As a result, the PreCrime test requires a total surveillance society, something akin to complete panopticism.  In fact, the advertising in D.C. is user specific, targeting pedestrian’s personal desires based on retina scans – and all travel requires retinal scanning and mass microchipping.

Read the rest of this article at - http://jaysanalysis.com/2015/03/15/minority-report-2002-esoteric-analysis-pre-crime-is-now-here/

Kingsman: The Secret Service – Ultimate Conspiracy Film?

Film poster. Image: Wikipedia.

By: Jay

Spoiler Alert

My date and I witnessed an interesting display this evening at the cinema – a bevy of ads for the new Hollywood blockbusters that contained one peculiar revelation that would relate to the feature film.  An “Intel Inside” ad for the latest market processor appeared – it seemed normal enough, yet I recalled something I ominous: “Intel inside” is whispered to be a kind of inside joke, as there have been reports the software contains backdoor technology for NSA spying.  This notion is now standard fare post-Snowden, yet the connection to the film’s plot would prove revealing.  And no, I am not saying there was some deep conspiracy in the fact that the commercial preceded the film.  Rather, virtually all ads, just like film and music, are now common vehicles for predictive programming, as readers here are well aware.

Thus, when Kingsman came on, I was surprised that such a seemingly silly film would be one of the most revealing of late, comparable to Captain America: Winter Soldier, in terms of revealing the real plan of the technocratic cryptocracy.  Kingsman centers around a young British thug named Eggsy recruited into a secret service comparable to MI6 (yet more secret) by Galahad (Colin Firth) that functions something like Mission Impossible, busy saving the “free world” from international villains.  Full of numerous references to classic spy novels, the film is satirical with its lighthearted approach to itself making it bearable.  I was reminded of the insightful (yet box-office failure) 1998 film, The Avengers, where the plot once again revolved around global villains using atmospheric weapons to control the globe.  With Kingsman, it’s much more sophisticated (juxtaposed with humor).

Eggsy is the low-class recruit amongst a group of Cambridge and Oxford elite who must pass a series of trials to don the name of a classic Arthurian Round Table member, suggesting a clear association.  Masonic Templar orders are an integral part of the global cryptocracy, and immediately Anders Breivik comes to mind, purporting to be a European Templar fighting the rise of Islam.  The Arthurian mythology of the grail and the legends of divine right are therefore an integral aspect of the esoteric side of the establishment, especially in the United Kingdom, making the title King’s men clear.  With the center of world Masonry located at the Grand Lodge in England, these associations are not accidental.  These early indicators are intended to cue viewers into the esoteric working that is going to be presented.   According to the documents of the 1312 Council of Vienne, one of the ecumenical councils of the Roman Catholic Church, we read the following accusations against the Templar Order:

“The scandal against the Templars themselves and their order in reference to the crimes already mentioned increased. There was even one of the knights, a man of noble blood and of no small reputation in the order, who testified secretly under oath in our presence, that at his reception the knight who received him suggested that he deny Christ, which he did, in the presence of certain other knights of the Temple, he furthermore spat on the cross held out to him by this knight who received him. He also said that he had seen the grand master, who is still alive, receive a certain knight in a chapter of the order held overseas. The reception took place in the same way, namely with the denial of Christ and the spitting on the cross, with quite two hundred brothers of the order being present. The witness also affirmed that he heard it said that this was the customary manner of receiving new members: at the suggestion of the person receiving the profession or his delegate, the person making profession denied Jesus Christ, and in abuse of Christ crucified spat upon the cross held out to him, and the two committed other unlawful acts contrary to christian morality, as the witness himself then confessed in our presence.”

Breivik the “Templar”

The proceedings go on to ascribe sodomy and occult and gnostic practices to the Templars with the disbanding of the order forcing them to go “underground.”  From this legend came the associations with modern speculative masonry and occult orders, all of which love to claim some vague connection to Templarism.  Crowley’s own Order of the Eastern Templars, the O.T.O., claims descent from this ideology, as well.  With Kingsman we can rest assured connecting these dots is precisely what is intended, since Hollywood is cinematic Gnosticism.  The recruits of the Kingsmen are therefore “knights” of the esoteric round table of the cryptocracy, centered in London, and as the propaganda generally goes, all the dastardly acts of the global villains are actually the modus operandi of the “heroic” establishment.  I’ve highlighted this many times, but Kingsman has a bit of a twist on this narrative, as we will see.

Read the rest of this article at - http://jaysanalysis.com/2015/02/25/kingsmen-the-secret-service-ultimate-conspiracy-film/

The Encounter (Christian Movie FULL Version)

Thanks for Vigilant Citizen for making this available...interesting folks and things happening in here...well worth the watch!
 

I really enjoyed this movie so I figured I would share it with you all. Grab some organic pop-corn and enjoy!
The Encounter, is a Christian film released in 2010. It follows 5 strangers living in California: Nick, a former NFL player and owner of a chain of burger restaurants; Hank and Catherine, a married couple whose marriage is falling apart; Melissa, a Christian on the way to visit her boyfriend (who is a non-Christian) and Kayla, a hitchhiker escaping her horrible living conditions in Los Angeles. When a detour road is closed off, the 5 are stranded in a diner with its' omnipresent owner, who is revealed to be Jesus Christ, and attempts to help each of the patrons face their troubles and help them seek repentance.

Jesus helps Hank and Catherine resolve their marriage issues, helps Melissa realize she needs to break up with her boyfriend as he is not a believer, and helps Kayla find it in her heart to forgive her abusive stepfather, despite everything he has done.

Each patron at the diner ends up being either born-again or is brought to a life changing decision by Jesus except for Nick, whose pride and selfishness causes him to refuse to give up all of his success to convert to Christianity. Officer Deville (the police officer who first informed the patrons of the road being closed off) returns and tells everyone that the road has been re-opened. Nick happily leaves with Deville, who gloats that he has taken one with Jesus saying he has saved four in rebuttal.

As the other patrons leave the diner, they learn from an officer on the road that Nick was involved in a car crash, which killed him instantly. He also reveals that he has never heard of Officer Deville (Kayla also realizes that Deville was actually the Devil in disguise based on the pronunciation of his surname).

The next day, Hank and Catherine find that the diner has mysteriously vanished, possibly because Jesus has managed to accomplish his mission of turning their lives around. In Thailand, Jesus shows up as a waiter, alluding to the sequel film, The Encounter: Paradise Lost.

The film was followed by a 2012 sequel, The Encounter: Paradise Lost. Marchiano reprised his role as Jesus in the sequel.

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Predicted Staged Bio Release in 2008

By: Jay

The one time I was a semi-guest guest on Alex Jones, you will recall that I discussed the very thing we are seeing: a staged bio release scenario that has yet to be seen in its full implications. In fact, if I recall, this was a recording I made even prior to 2010, around 2007, following I Am Legend (2007) but I’m not positive. As you can see, it was uploaded 2010, but no journalism credit will swing my way. How did I make this call? Not by any inside information, but simply by following the entire thesis of this site, that the future moves of the establishment are telegraphed ahead of time in symbolic and subtle (and sometimes obvious fashion) means, through pop culture. This doesn’t mean all apocalypse scenarios in pop culture are legitimate or valuable information, rather, it requires skilled sifting of wheat and chaff, combined with the best approximation of legitimate news and information. Yet regardless of JaysAnalysis’ stellar track record of prognostications, the skeptics (idiots) refuse to give credit or heed.

 

 

 

Read this article at - http://jaysanalysis.com/2014/10/06/jaysanalysis-predicted-staged-bio-release-in-2008/

Jay’s Top Ten Conspiracy Films

Always fascinating analysis of the truths and messages hidden in films by Jay...

By: Jay

Some of these will be obvious, but as the readership grows there may be insights in certain lesser known films that deal with conspiracy in general.  My list will exclude all things alien, since the alien agenda is largely a bunch of bunk, as Jay’s Analysis has said all along.  In selecting my favorites, I’ve tried to balance quality with subject matter, as some films may have a great concept with poor execution.  If you missed any of these or if they’re long forgotten films you halfway watched with that date 15 years ago, I recommend giving them a look.

Tinfoil hat fun.

10.Conspiracy Theory. 1997.  Director Richard Donner has Mel Gibson as the tinfoil hat nutball seeking to uncover the truth about his own past.  Ultimately the film details the actual MKULTRA program, with Captain Picard as the handler.

Let me take a little off the top….

9. V for Vendetta. 2005. A Wachowski brothers work, V initiates Eve into the realities of the establishment’s corruption.  An adaptation of Moore’s popular graphic novel.

Commie brainwashing!

8. The Manchurian Candidate. 1962. The 1962 film version of Richard Condon’s earlier novel directed by John Frankenheimer.  An early revelation of the actual methods and techniques of mind control, including programmed assassins and trigger words.

I spy spy eyes,

7. Three Days of the Condor. 1975. Directed by Sidney Pollack.  What happens when a CIA analyst has his own department annihilated and his life threatened by high level corruption and intrigue? Shit goes down, that’s what.

John Ritter couldn’t tame this toddler.

6. Rosemary’s Baby. 1968. Roman Polanski offers a chilling story of a Satanic cult that seeks to bring about the birth of the Antichrist through Mia Farrow. No, the child is not Woody Allan’s.

Read the rest of the list at -  http://jaysanalysis.com/2014/08/17/jays-top-ten-conspiracy-films/

BBC Sherlock: Malaysian Airlines False Flag Scripting

This is a fascinating behind-the-scenes look at the thinking of covert agencies and how they love to drop hints about bad things they are about to do.  This is a well known concept in witchcraft, as mages believe that they gain power when they announce what they are about to do and are still able to accomplish the work.  Check out the bizarre numerology speech given by Christine Lagarde of the IMF near the end of the article. 

Season 2, Episode 1, “A Scandal in Belgravia,” in 2012: Mycroft tells Sherlock Flight 007 was a false flag with already dead bodies.

Like Many 9/11 Examples, the Scripting of the Malaysian Plane Fiasco Matches the Plot of BBC’s Sherlock

By: Jay

Our latest media theatrical blitz is the Hollywood-esque sequel to last month’s suspicious and likely scripted airplane disaster, the mystical Malaysian Plane fiasco.  News junkies and analysts will recall the recent “loss” of Malaysian Airlines Flight 370 which sparked a media furor of high ratings, speculation, pundit nonsense and even the enlistment of Courtney Love’s noteworthy, famed sleuthing abilities.  In a rare anomaly, Love was  in this case, unable to solve the so-called disaster.  Followers of JaysAnalysis or my Twitter or Facebook feed know that I deemed this event unworthy of any attention, and that I think it was likely staged, with a high probability of there being no plane at all.  That may seem extreme to some newer readers, but longtime readers will recall the numerous instances of known, staged and faked news casts cataloged here when RawStory attacked me.
However, with the new Malaysian Plane Flight MH17, we have what appears to be something more significant – an emerging false flag event run by western intelligence and NATO to frame Russia for the purpose of further US/EU/NATO operations in staving off Russia.  In this article, I want to present that false flag thesis and other speculations based on the evidence that has emerged so far.  I will investigate the known facts to date, based on reliable sources with a good track record, the motives for the so-called attack, and the more esoteric and speculative connections that may also be relevant to seeing the “calling card” of who might have been behind the event.

The first and most obvious suspicion is that this is Malaysian Airlines, part deux.  I am not saying anything ridiculous like they are the same planes, but rather that two Malaysian Airlines flights become “diverted” to become center stage media foci within a month as mere coincidence stretches credulity.  One recalls immediately the numerous TWA flights of the last several decades that mysteriously were lost, hijacked and shot down, all of which served specific political motives advantageous to the Western establishment.  A second related question involves Malaysian Airlines itself – who owns this airline, and what intelligence agencies might be able to utilize it for such covert operations?  Hardly anyone in the media is asking this question, nor was it asked the last go around.

Malaysian Airlines was started by the Liverpool-based Ocean Group together with Imperial Airways, back in 1937.  It is crucial to note that Malaysia was a part of the British Empire, and thus associations with British Intelligence will not be far removed.  Though the company was broken up soon thereafter, it was incorporated with various shareholders holding close connections to, and positions in, offices of Malaysian government.  For example, former Malaysian Airlines CEO Idris Jala formerly held high level positions with gas giant and Western establishment megacorporation, Shell, before entering Malaysian politics.  Malaysian Airlines is a GLC, or “government linked company,” which we can translate into intelligence linked company, bringing to mind classic examples of intelligence linked airlines, such as Evergreen, the famed CIA shell company that succeeded Air America.  Consider the extent of the CIA connections to airlines according to a 1986 Time Magazine article:

“Officially, the CIA says it has no record that Doole ever worked there, but among old agency hands, he is a legend. Operating out of a small, nondescript office on Connecticut Avenue, he founded and ran a far-flung network of airlines that the agency used to carry out its covert operations all over the world. Owned by a holding company, the Pacific Corp., that was itself a CIA front, Doole’s empire included Air America, Civil Air Transport, Southern Air Transport, Air Asia and dozens of small puddle-jumper lines. Together, at their peak in the mid ’60s, these CIA “proprietaries” added up to an airline that was almost the size of TWA, employing nearly 20,000 people (as many as the CIA itself) and operating some 200 planes. Even the CIA was not sure just how many. Asked by then Deputy Director Helms to account for all the planes in Doole’s regime, a staffer spent three months on the project before confessing that he could never be more than 90% certain. The problem, explained the exasperated staffer, was that Doole was forever leasing planes between his shell corporations and changing their markings and tail numbers.”

Malaysia is also home to a host of Western intelligence shady dealings, according to insider Peter Levenda.  Levenda claims as follows in his Sinister Forces, Vol. 3:

“Friends of mine in Kuala Lumpur-otherwise intelligent, rational people with a love for business and the easy, good life of their tropical paradise-take it for granted that the world has targeted Muslim Malaysia out of jealousy for the strength of their economy…[erroneously thinking] there was simply no truth to the reports that Malaysia was a haven for terrorists, even as one of their political parties praised the bombers of Bali, the World Trade Center, of the Marriot Hotel in Jakarta and met with Hamas and Hezbollah leaders in Malaysia in May of 2002.” (pg. 443)

Read the rest of this article at - http://jaysanalysis.com/2014/07/20/bbc-sherlock-malaysian-airlines-false-flag-scripting/#more-5492

Hollywood Occult Brainwashing in Lynch’s ‘Mulholland Drive’

Film Poster. Wikimedia Commons.

“‘I learned that just beneath the surface there’s another world, and still different worlds as you dig deeper.’ – David Lynch

By: Jay

The Academy Award-nominated 2001 work of David Lynch, Mulholland Drive, is remembered by most as a macabre, satirical nightmare dreamscape of Neo-noir centering around a typical girl next door’s dream of becoming the next Hollywood starlet.  That is about the only thing viewers can agree the film is about.  Reviewers speak of “surrealism,” “imagination,” “nightmares,” and a few of the more philosophical pieces look at semiotics in relation to the performance at Club Silencio, yet no one seems able to truly crack the language of Mulholland, even with Lynch’s clues and hints.  In my analysis, I want to propose something radically different – Mulholland follows Lost Highway as a similar story of Hollywood dark side, but with a new twist, revealing actual occult brainwashing techniques.  Not only that, Lynch’s film will make “twilight language” references to a host of esoteric subjects, including the Manson murders and the CIA’s MKULTRA mind control programs.

Before delving into that topic, author Michael Hoffman defines “twilight language” as follows in his Secret Societies and Psychological Warfare:  “The path to unlocking this gnosis was centered in “twilight language,” a once nearly universal subliminal communication system used in Egypt, Babylon, the Indian subcontinent and among the Aztecs, consisting of a combination of numbers, archetypal words and symbols, which in our time are sometimes embedded in modern advertising, and in certain modern films and music…. In Oriental Tantra, the mantra (including dharani, kavaca, yamala, etc.) is sonically calculated to induce a particular action.  It forms part of the original sanskrit concept of sandhyabhasa (twilight language).  In Tantra, ‘Sandhyabhasa…is a language of light and darkness…in this higher type of discourse, words have another, a different meaning: this is not to be openly discussed.”  (pg. 207)

In my Lost Highway analysis, I mentioned that David Lynch is a fan of Buddhist and zen philosophy.  Presumably, he is also aware of this Tantric conception of twilight language and its significance in terms of using and manipulating symbols and events.  The opening of that analysis is appropriate for Mulholland Drive, as well:

“The telling of the story is non-linear, yet influenced heavily by classic 1940s Noir. Lost Highway is influenced by zen philosophy and Jungian dreamscapes, but as for the deeper occult elements, it’s necessary to understand why the stories are presented in a interlinking duality, as they are in Mulholland Drive. Zen philosophy is concerned with duality and its transcendence, as ultimate principles, as well as with the individual’s particularized psyche, and its relation to the whole of reality. Zen is therefore a quasi-religious philosophy concentrated on ultimate metaphysical principles, known in philosophy historically as the problem of the one and the many. For Lynch, these philosophical questions are not just abstract philosophy, but also relate directly to the psyche in its conscious and unconscious/sleep states.”

In terms of decoding films and life in general, Lynch himself has said: “We all find this book of riddles and it’s just what’s going on.  And you can figure them out.  The problem is, you figure them out inside yourself, and even if you told somebody, they wouldn’t believe you or understand in the same way you do.  You’d suddenly realize that the communication wasn’t 100 percent.  There are a lot of things like that going on in life, and words just fail you.”  (Lynch on Lynch, pgs. 25-6)  From this platform we can further posit that Lynch does have a secret significance for his films and the symbolism has a definite, although obscure, meaning, if the viewer is skilled enough at decoding the “twilight language.”

Sunset Boulevard poster. Wikimedia Commons.

 

Before delving into the film, an important influence on Lynch should be considered.  Sunset Boulevard, the dark 1950 film directed by Billy Wilder, shares many parallels to Mulholland Drive.  Sunset is the famous story of a washed up silent movie actress who loses her mind and becomes lost in an obsessive fantasy of her own making, leading to the death of a young screen writer who becomes her consort.  For its time, Sunset was an extremely bizarre movie, underlining the dirty underbelly of fame and fortune that most 1950s Hollywood fairy tales ignored.  Though not entirely evident, it is arguable that Norma Desmond (the washed up actress) dissociates into a completely fictitious mental world where she remains a glamorous starlet.  In the same way, Diane/Betty (Naomi Watts) in Mulholland will embrace the same fate as Norma.  This is why Rita/Camilla first stumbles onto “Sunset Boulevard” at the beginning of the film, following her car accident, and why Diane/Betty’s apartment features classic Hollywood posters adorning the walls.

Read the rest of this article at - http://jaysanalysis.com/2014/05/22/hollywood-occult-brainwashing-in-lynchs-mulholland-drive/#more-5017

Captain America 2: Winter Soldier is Real

This is from Jay's analysis, a philosophical look at what Hollywood is spending millions of dollars on to show us.  This article ties into the next two, which will show up above this on the posts.  I have rare nights like this, where I don't intend to post anything, and I realize there is so much going on, I can't post it all.  These three posts however, help us see the larger picture.  I'm referring to the Psalm 2 picture.  If you haven't read it, please do. 

Psalm 2 describes the end of this age, and a war.  This war is most of humanity, including Kings and rulers (those who possess great power) against God.  No sci-fi here, simple prophecy.  It will happen.  But why would mankind think they are more powerful than God?  Read on...

Film poster. The film was released on 4-4-14.

By: Jay
The new Captain America film is heavily laced with either revelation of the method programming, or genuine artistic rebellion against the corrupt, globalist establishment.  The plot is one of the most anti-new world order films I’ve seen, in terms of plot.  Granted, Marvel is now owned by Disney is 100% establishment, regurgitating decades of Disney mind control, but apparently that doesn’t prevent a positive message to seep out.

Or, from a darker perspective, was the completely revelatory plot of Captain America 2 purposefully released as another middle finger?  Does the intentional selection of  sentimental old Americana (represented by Captain America) perhaps signal the establishment’s statement they know the truth of the opposition’s side better than the opposition, associating anti-establishment impetus with childish comic book plots?  Let us analyze.  The plot begins with a French “terrorist” organization hijacking a high-tech SHIELD warship called “The Lemurian Star.”  Lemuria is associated with Atlantis in the writings of occultists like Blavatsky and Leadbetter, giving us a clue that the key to interpreting the meaning will be the attempt to restore Atlantis.  This false flag attack is designed to frame SHIELD commander, Nick Fury (Samuel L. Jackson), disabling the Avengers and Captain America.

The state-sponsored terror is actually led by Hydra, a kind of World War 2 analogue for the Bilderberg Group.  Hydra, like Bilderberg, was founded by former Nazis seeking to implement a worldwide technocratic government.   Like the actual Bilderberg Group, it has the same goals and motivations, but what was so surprising about Captain America 2 was the revelation of the AI control/kill grid that is Hydra’s real weapon.   The Avengers discover that the AI kill grid is put in place to utilize all the data that the government surveillance has captured over the last several decades using complex algorithms that predict who the likely threats will be in the future.

Thumbs up to Natasha Romanov

 

Predictive algorithmic AI computing is precisely the purpose of the Internet itself, as well as Google and all the other tech monstrosities.  The purpose of the Internet itself was always to gather reconnaissance on the masses.  The AI grid stores basically everything, and based on the vast information stored at the “data vaults” and warehouses around the globe, information is processed for future predictive accuracy.  There is a virtual version of everything happening, with a virtual version of you and me, where tests are run to see the outcome of various scenarios.  The reconnaissance is for the ultimate goal of the AI takeover.  Films like the Terminator series and Oblivion also have this same plot, but rather than art life imitating art, this is art based on actual Pentagon programs.  And just like Skynet is real, so is the Avengers’ version of Skynet, where advanced decapitation and space-based weapons (for removing heads of state) are in place since at least the Star Wars Defense initiative of the late 70s.

As I’ve written before, in the 90s Microsoft and the military planned to have a total Skynet grid in place with directed energy weapons and a microchipped populace that would be under global technocratic rule.  The declassified document is still available here at Fas.org.  Contrary to Gizmodo’s claim that DARPA “tried” to build skynet in the 80s under SDI, the reality is Skynet was built and is still being built.  This is the very heart of the entire new world order plan, and why I say Captain America 2: Winter Soldier is the ultimate conspiracy movie.  It is also worth noting that Captain America is from another age – he represents old Americana in the film.  He sees the world in the classic bipolar, manichaean scheme that Brzezinski described of the past century, where the “free” West struggles against the “tyrannical” axis and eastern powers.

The film’s title “Winter Soldier” refers to Captain’s old war buddy who was cryogenically frozen by Hydra and resurrected under MKULTRA-style mind control programming to become a mass murdering assassin.  Hydra thus intends to use the AI kill grid to set up the “new world order,” the film says, where order will reign over chaos.  As all utopian propagandists have sought, the goal was to build the New Atlantis.  This is crucial to note, as Sir Francis Bacon, the hermeticist philosopher of the new world (America) predicted the continent would become the “new Atlantis.”  It is not accidental that Hydra’s goal of creating the New Atlantis occurs in the Captain America film.

Hydra logo with the Totenkopf and the 666 tentacles.

 

Hydra’s image is similar to the classic Prussian “Death’s Head,” and the Nazi Totenkopf.  Consider as well the Hydra symbol is red for war/bloodshed and has three mirrored tentacles that are reversible “666s.”  As the film’s villain Alexander Pierce (Robert Redford) states, “To build a better world requires tearing down the old one.”  This is the mantra of the new world order in real life, where “order out of chaos” is the formula used for thesis – antithesis – synthesis dialectics, in order to bring about convergence and change.  The convergence and change, however, is not meant for good, but for the destruction of the “weak,” as the social Darwinian plan of manufactured “evolution” marches on. So, does Captain America 2 represent authentic rebellion on the part of some of the artistic establishment?  Does it represent more revelation of the method indoctrination, subtly using propaganda and psy ops techniques to lull the unwashed masses into acquiescence, as the technocracy advances on?  We will have to wait and see where the next Marvel installments take us, but with Iron Man 3 exposing Bin Laden and Captain America 2 exposing Skynet, things are looking better.

Read the rest of this article at - http://jaysanalysis.com/2014/04/13/captain-america-2-winter-soldier-is-real/#more-4873

Extraterrestrial Ambassador

This is actually part 5 in Freeman's presentation, with part 6 below.  Is Obama a clone of Pharaoh Akhenatan?  Did the Stargate tv show foretell the Obama administration.  You can't make this stuff up folks.  Fascinating stuff...

Have we made contact with extraterrestrial beings? What would the Pope do if aliens graced the Vatican? Quit?
Part 5 of Freeman at Free Your Mind 2

Get the DVD - Aliens From Hell
http://freemantv.com/purchase-aliens-...

Programmed for WAR

This is the final part of Freeman's presentation, part 6.  More here about how our culture has programmed us to embrace war, and even darker things.  Note the connection between the ancient Egyptian Council of Nine (Ennead) and Star Trek.  Interesting also is the connection between the nine and Kenneth Arnolds 1947 sighting which ignited the modern UFO age.  Very interesting...

 

The Nine gods of Egypt were channeled by the elite. How have Space Command, the FBI, and the CIA influenced our children to bring warfare to mankind? Part 6 of Freeman at Free Your Mind 2.

Get the DVD - Aliens From Hell
http://freemantv.com/purchase-aliens-...

What a Coincidence! Meteorites Strike All Over the Earth on the Same Day

A nice compilation of the incoming meteors showing that we clearly passed through (or perhaps are still passing through) a major asteroid belt.  The Keith Urban part of this, well, it's just weird...

More Bizarre Connections in the Sandy Hook Shooting

Kudos to Idahopicker for his excellent research on the surreal facts surrounding the Sandy Hook tragedy.  It's strange how each of these shootings is surrounded by a strange dreamworld of links that seem like they're derived from a movie script.  Yet here they are.  And all we are left with is a nice clean story of a single deranged shooter.  Other suspects and facts that are inconvenient just disappear down the rabbit hole.

Let me add that in addition to the other shootings and attacks mentioned here, there was an attack on a school in China in which 22 children were stabbed by an attacker on the same day.  May God's good grace and mercy be poured out on the victims in these attacks.

More bizarre links to Sandy Hook. As in the Hunger Games author lives there. Also a much clearer view of the Gotham City map from Batman with Sandy Hook on it. Also more on the evacuation drill that was scheduled for the school that day. Like a mini-version of the chaos on 911.

Did Stanley Kubrick Film The Original Moon Landing?

This story has been around for a while, but in this video his wife seems to confirm his working for the government on this issue.  Others have believed he used symbols in "The Shining" to hint that the Apollo landing footage was pre-taped.  (See video below)  It leaves us with two possible conclusions.  One, that the U.S. did not go to the moon.  (I'm not buying this one.)  Two, that the U.S. went to the moon, but didn't want the world to see what they did, so they prepared doctored footage to show a generic, happy, easy and uneventful landing.  This explains why the footage shown to the world in 1969 was fed through a movie camera system, and we were shown on tv shots of movie cameras, not direct shots of what was happening on the moon. 

Now, did this have some relation to Kubrick's reclusiveness and death?  That's for another article to discuss.

 

SKYFALL: Cosmic Catastrophism - The Electric Universe, Lucifer, Venus, Nibiru, Planet X, Comet ISON, ELEnin, Obama, the Priest Class of the Magi, NASA, and the Symbolic Language of Celestial Convergence!

I found this article yesterday, but it took me a while to go through it.  It's really about four articles packed into one, but because it's timely, I've included all of it here for your perusal.  Lots of good stuff here.  I should point out the author is clearly not writing from a Christian perspective, and some of his assumptions are dramatically wrong, but there is still a wealth of interesting stuff to be gleaned here.

This is the end
Hold your breath and count to ten
Feel the earth move and then
Hear my heart burst again...

Skyfall is where we start
A thousand miles and poles apart
When worlds collide, and days are dark. - Adele, Skyfall 007 Theme.

On September 24th, 2012, a group of Russian astronomers announced the discovery of a new comet, C/2012 S1 (ISON), that could create a most spectacular sky show as it heads towards a close encounter with our Sun in 2013. Detected three days earlier by Vitali Nevski and Artyom Novichonok, using a telescope at the International Scientific Optical Network (ISON) near Kislovodsk, the celestial object was observed in the constellation of Cancer, just beyond the orbit of the planet Jupiter.

Their discovery... has since made waves in the astronomical community and across the Internet. As of now, Comet ISON, as it’s commonly being called, is roughly 625 million miles away from us and is 100,000 times fainter than the dimmest star that can be seen with the naked eye—it’s only visible using professional-grade telescopes. But as it proceeds through its orbit and reaches its perihelion, its closest point to the Sun (a distance of 800,000 miles) on November 28th, 2013, it could be bright enough to be visible in full daylight in the Northern Hemisphere, perhaps even as bright as a full moon. With current information, though, there’s no way of knowing for sure, and experts disagree on what exactly we’ll see. “Comet C/2012 S1 (ISON) probably will become the brightest comet anyone alive has ever seen,” wrote Astronomy Magazine’s Michael E. Bakich.” - Smithsonian.

With a parabolic orbit, ISON's current apparent magnitude is an extremely faint 18.8 measured brightness. However, according to the experts, the luminance will gradually increase if it remains intact, where it could possibly become visible to the naked eye by late September next year, and remaining so until early 2014. Given its orbital outline, scientists are of the view that it is a new comet, that has been displaced from the voluminous reserve of comets in the Oort Cloud revolving around the Sun. Some, are even forecasting that ISON could be up to fifteen times brighter than the moon when it crosses the night sky in 2013, since the standard cometary activity theory suggests that new comets tend to be more radiant, burning at a higher rate than rebounding ones.

Whether these calculations come to fruition or not, the key determinant in the ultimate destiny of the comet will be based on its electrical convergence with the Sun, and not from the volatility of the ice, as theorized by established astronomical assumptions about "dirty snowballs". The archaelogical records and geological evidence of this planet, reveals that our ancient ancestors witnessed breathtaking celestial events of monumental proportions that resulted in cyclical global cataclysms. Electromagnetic forces connecting, manifesting, energizing and organizing fields of intergalactic space, interstellar nebula, spiral galaxies, galactic clusters, stars, planets, comets and other celestial bodies. Radiant emissions and luminous bands from cosmic alignments and collisions of these heavenly objects, seen over the middle and high latitudes of both hemispheres, bombarding the atmosphere with charged solar particles along Earth's magnetic lines of force.

This is the ancient scientific knowledge of electromagnetism. This is the Electric Universe. The manifested electrical arcing, scarring and discharging between cosmic bodies, resulting in the destruction and birth of worlds. These catastrophic events and otherworldly phenomenon were witnessed in the skies of our ancient predecessors, divinely inspiring and stimulating the creative spirit to produce megalithic structures, hieroglyphics, petroglyphs, statues, cave paintings and other iconographic motifs that became the archetypal template for myths, legends, tales and symbols across the globe and throughout our history, becoming part of our collective system of beliefs and cultural memory.

These celestial upheavals and motions of the heavenly bodies were seen by our progenitors as a reflection of the electrical impulses, charged cellular ions and transmissions across the neural membrane in the biological and electrochemical functions of the human body. As above, so below. As within, so without. After all, the nerves, glands, hormones, physiology and behavior of all humans, animals, plants and even extremely tiny microbes follow a twenty-four hour circadian production cycle that responds to sunlight. Therefore, each organism's nervous system, chakras, and consciousness resonates with the electrostatic and geomagnetic fields in each respective environment. This ancient enlightenment of what connected the corporeal and ethereal planes, was later dislodged by the Newtonian celestial mechanics of the law of gravitation, the Big Bang theory and the mechanistic western philosophical subscription to the materialistic world view.

Thankfully, the correct way to view the effects of electricity, magnetism, plasma cosmology in the universe re-emerged with the publication of Immanuel Velikovsky's World in Collision. The Russian-born American independent scholar proposed a theory of a periodical mass extinction-level events - that ancient history was affected by short-lived, violent and monumentally galaxy-wide disasters that reshaped our planet and the entire solar system.

His books use comparative mythology and ancient literary sources (including the Old Testament) to argue that Earth has suffered catastrophic close-contacts with other planets (principally Venus and Mars) in ancient times... Velikovsky argued that electromagnetic effects play an important role in celestial mechanics. He also proposed a revised chronology for ancient Egypt, Greece, Israel and other cultures of the ancient Near East. The revised chronology aimed at explaining the so-called "dark age" of the eastern Mediterranean (ca. 1100 – 750 BCE) and reconciling biblical history with mainstream archaeology and Egyptian chronology.

He arrived at a body of radical inter-disciplinary ideas, which might be summarised as: Planet Earth has suffered natural catastrophes on a global scale, both before and during humankind's recorded history. There is evidence for these catastrophes in the geological record and archeological record. The extinction of many species had occurred catastrophically, not by gradual Darwinian means. The catastrophes that occurred within the memory of humankind are recorded in the myths, legends and written history of all ancient cultures and civilisations. Velikovsky pointed to alleged concordances in the accounts of many cultures, and proposed that they referred to the same real events. For instance, the memory of a flood is recorded in the Hebrew Bible, in the Greek legend of Deucalion, and in the Manu legend of India. Velikovsky put forward the psychoanalytic idea of "Cultural Amnesia" as a mechanism whereby these literal records came to be regarded as mere myths and legends. The causes of these natural catastrophes were close encounters between the Earth and other bodies within the solar system — not least what are now the planets Saturn, Jupiter, Venus, and Mars, these bodies having moved upon different orbits within human memory. To explain the celestial mechanics necessary to permit these changes to the configuration of the solar system, Velikovsky thought that electromagnetic forces might somehow play a greater role to counteract gravity and orbital mechanics.

Some of Velikovsky's specific postulated catastrophes included: A tentative suggestion that Earth had once been a satellite of a "proto-Saturn" body, before its current solar orbit. That the Deluge (Noah's Flood) had been caused by proto-Saturn's entering a nova state, and ejecting much of its mass into space. A suggestion that the planet Mercury was involved in the Tower of Babel catastrophe. Jupiter had been the culprit for the catastrophe that saw the destruction of Sodom and Gomorrah. Periodic close contacts with a cometary Venus (which had been ejected from Jupiter) had caused the Exodus events (c. 1500 BCE) and Joshua's subsequent "sun standing still" (Joshua 10:12 and 13) incident. Periodic close contacts with Mars had caused havoc in the 8th and 7th centuries BCE. - Wikipedia.

These theories were further strengthened by Ralph Juergens, the twentieth century pioneer and Velikovskian enthusiast. Juergens developed the Electric Sun model, he posited that electromagnetic forces shaped the orbits of astronomical bodies; that solar discharge, luminosity and photosphere are comparable to the "tufted anode glow" in an electric discharge tube.

"The known characteristics of the interplanetary medium suggest not only that the sun and the planets are electrically charged, but that the sun itself is the focus of a cosmic electric discharge - the probable source of all its radiant energy." - Immanuel Velikovsky Reconsidered by Ralph Juergens.

Although these revolutionary hypotheses and models were largely met with contempt and ridicule by the scientific community, the work of Velikovsky and Juergens found acceptance among many, such as astrophysicist James McCanney, comparative mythologist David Talbott and physicist Wallace Thornhill, who found Newton's concept of gravity and cosmic mechanism to be quite imperfect. Even standard scientific theories that is used to account for the disappearance of the dinosaurs, subscribes to the idea of a giant impact on the Earth by comets and asteroids at recurring intervals. Over the last three hundred years, scientists and astronomers from William Herschel to Alexis Bouvard to John Couch Adams to Johann Gottfried Galle to Percival Lowell to Clyde Tombaugh to Thomas C. Van Flandern to Robert Harrington, to those that currently pioneer the space exploration and discovery agencies such as the National Aeronautics and Space Administration (NASA) and the European Space Agency (ESA) have all caught a glimpse of the symptoms of the tremendous destruction that could result from these celestial upheavals. They all had to observe, calculate, discover and account for the gravitational interactions that caused perturbations on the orbit of the gas giants of the five classical planets (Jupiter, and Saturn). These unexplained disturbances gave rise to the notion of unpredictable comets, rogue Planet X type objects and binary stars; and consequently the discovery of the "ice giants" Uranus and Neptune, as well as other dwarf planets such as Eris and Pluto.

However, the effects of electromagnetic force on the solar system was generally ignored and never saw the light of day in the mainstream, yet the evidence of electrical current discharge between planets and moons intensified, such as between Jupiter and its innermost Galilean moon Io.

Io orbits close in to Jupiter, so intense electromagnetic radiation bombards its surface, removing approximately one ton per second in gases and other materials. Io acts like an electrical generator as it travels through Jupiter’s plasmasphere, inducing over 400,000 volts across its diameter at more than three million amperes. That tremendous current flows across its magnetic field into the electric environment of Jupiter. - Stephen Smith, Thunderbolts.

Instead of acknowledging and disclosing the increased electrical phenomena and energy production in the Solar System, official scientific agencies along with the academic community deliberately engaged in a process of obfuscation, while launching vigorous clandestine operations to detect abnormal patterns in the inner and outer areas of the gravitational field of the Sun's system.

When scientists noticed that Uranus wasn't following its predicted orbit for example, they didn't question their theories. Instead they blamed the anomalies on an as yet unseen planet and, sure enough, Neptune was discovered in 1846. Now astronomers are using the same strategy to explain quirks in the orbits of Uranus and Neptune. According to John Anderson of the Jet Propulsion Laboratory in Pasadena, Calif., this odd behavior suggests that the sun has an unseen companion, a dark star gravitationally bound to it but billions of miles away. ... Other scientists suggest that the most likely cause of the orbital snags is a tenth planet 4 to 7 billion miles beyond Neptune. A companion star would tug the outer planets, not just Uranus and Neptune, says Thomas Van Flandern of the U.S Naval Observatory. And where he admits a tenth planet is possible, but argues that it would have to be so big - a least the size of Uranus - that it should have been discovered by now. To resolve the question, NASA is staying tuned to Pioneer 10 and 11, the planetary probes that are flying through the dim reaches of the solar system on opposite sides of the sun. - Newsweek, Does the Sun Have a Dark Companion? June 28 1982.

Something out there beyond the farthest reaches of the known solar system seems to be tugging at Uranus and Neptune. Some gravitational force keeps perturbing the two giant planets, causing irregularities in their orbits. The force suggests a presence far away and unseen, a large object that may be the long- sought Planet X. ... The last time a serious search of the skies was made it led to the discovery in 1930 of Pluto, the ninth planet. But the story begins more than a century before that, after the discovery of Uranus in 1781 by the English astronomer and musician William Herschel. Until then, the planetary system seemed to end with Saturn. As astronomers observed Uranus, noting irregularities in its orbital path, many speculated that they were witnessing the gravitational pull of an unknown planet. So began the first planetary search based on astronomers predictions, which ended in the 1840's with the discovery of Neptune almost simultaneously by English, French, and German astronomers. But Neptune was not massive enough to account entirely for the orbital behavior of Uranus. Indeed, Neptune itself seemed to be affected by a still more remote planet. In the last 19th century, two American astronomers, Willian H. Pickering and Percival Lowell, predicted the size and approximate location of the trans-Neptunian body, which Lowell called Planet X. Years later, Pluto was detected by Clyde W. Tombaugh working at Lowell Observatory in Arizona. Several astronomers, however, suspected it might not be the Planet X of prediction. Subsequent observation proved them right. Pluto was too small to change the orbits of Uranus and Neptune, the combined mass of Pluto and its recently discovered satellite, Charon, is only 1/5 that of Earth's moon. Recent calculations by the United States Naval Observatory have confirmed the orbital perturbation exhibited by Uranus and Neptune, which Dr. Thomas C Van Flandern, an astronomer at the observatory, says could be explained by "a single undiscovered planet". He and a colleague, Dr. Richard Harrington, calculate that the 10th planet should be two to five times more massive than Earth and have a highly elliptical orbit that takes it some 5 billion miles beyond that of Pluto - hardly next-door but still within the gravitational influence of the Sun. - New York Times, January 30, 1983.

Even before NASA's establishment in 1958, the quest to unravel these orbital mysteries in the Solar System was undertaken in the baby steps of the experimental aircraft family, the X-Plane Program by NASA's predecessor, the National Advisory Committee for Aeronautics (NACA).

“The unconscious mind of man sees correctly even when conscious reason is blind and impotent... Intuition is perception via the unconscious.” - Carl Jung.

A journey of a thousand miles starts with one step. The ancient phrase from the Chinese philosopher Lao Tzu, becomes quite applicable here, once we become cognizant of the subconscious fractals, embedded in the encryption transposed in letter key.

The X-Plane Program is therefore: PLANET X = X-PLANE(T)

NASA Satellites near Earth and in the outer Solar System.
[Click on image for larger view]

Since then, NASA have recorded numerous milestones with both manned and unmanned missions to suborbital regions, Earth observation, lunar, Martian, asteroidal and cometary, interplanetary and solar; from the Hubble Space Telescope to the Lunar Crater Observation and Sensing Satellite (LCROSS) to the Mars Exploration Rovers to the Near Earth Asteroid Rendezvous - Shoemaker (NEAR Shoemaker) to MESSENGER to Cassini–Huygens to the Voyager Program in the outer Solar System. These instruments, spacecrafts and satellites transmit millions of megabytes of information to NASA's Goddard Space Flight Center (GSFC), the largest collection of scientific data system on the Earth, the Solar System and the Universe.

Over the last two years, we have been witnesses to a seemingly subtle and symbolic dissemination of this information coming out of NASA and other space agencies regarding the celestial sphere and its influence on the solar system. Announcements and discoveries that seems to point to some sort of "Nemesis Death Star/Brown Dwarf Star/Rogue Planet/Monster Comet" theory of a wandering cosmic object about four times the size of Jupiter, locked into a perpetually cyclic orbit with our Sun, lying somewhere near the edge of the our Solar System, and whose disturbance of the Oort Cloud, would throw comets into the inner Solar System, hurtling towards the Earth. A object that has been given names such as Lucifer, Satan, The Dragon, The Great Snake, The Destroyer, The Serpent, The Devil, Marduk, Nibiru, Shiva, Hercolubus, Wormwood, The Dark Star, The Death Star, The Red Star, The Red Planet, The Planet of the Crossing, The Winged Disk, The Tenth Planet, The Dark Twin, ... A object that cause perturbations on the orbit of all planets in the system, resulting in monumental weather changes and geological upheavals, and that would eventually appear as a second sun in our skies.

Read more at - http://thecosmicspirit.blogspot.com/