Numbers Prove God

Jay Dyer from Jay's Analysis wrote this article and it's compelling.  While I would not agree with all of his philosophical assumptions, it's still good stuff.  See what you think...

The Divine is the highest of Infinities.

By: Jay Dyer

When considering the question of “proofs” for the existence of God, the history of argumentation has often been lacking.  The dialectical relationship of the empirical/materialist tradition debating with the idealist/Platonic tradition is a perennial feature of the history of western philosophy.  Modern “New Atheists,” for example, are eager to pounce on flaws in the so-called “classical proofs,” as if these were the b-all, end-all of the question of rational certainty for the divine.

The chief problems with the “classical proofs” are that: 1) They do not prove what they set out to prove insofar as they are (classically) based on an empirical theological method that stems primarily from Aquinas, 2) The arguments themselves are non sequitur, where the starting points of the proofs do not logically necessitate the conclusions, and 3) The philosophical and theological assumptions implicit in the arguments are not consistent with the theological beliefs about God in the biblical system.  These three majors flaws have led to centuries of debates that were often fruitless and have allowed overly confident pseudo-philosophers and “scientists” to presume that these matters are bound up with medieval superstitions that were heroically suppressed and refuted by the rationalists of the Enlightenment era.

Ironically, this narrative itself is a modern mythos presented by the “New Atheists” and the average run-of-the-mill academicians.  The modern materialist apologists are themselves buried in a faux dialectic that ignores, suppresses and misses the real issues at hand.   It should also be remembered that ancient and medieval thinkers had not asked questions that would later be raised, and in particular, I’m thinking of more foundational philosophical questions that never entered the mind of the medieval man.  Areas of philosophy and physics that developed in the modern world, like subatomic research, phenomenology and linguistic and semiotic research were not within their purview (obviously).

With such being the case, we can assess that the classical proofs are not necessarily terrible, but flawed due to the fact that they were posited with certain presuppositions.  But what happens when, over time, philosophy and science (and theology) questions those assumptions, and asks how do we make sense of these principles themselves.   For example, all medieval thinkers utilized Ancient Greek principles of logic and geometry.   Numbers, logic, and geometric forms were assumed to be the case: It never entered Roger Bacon’s or Photios of Constantinople’s mind to ask, “How is it possible for logic and numbers to be.”

In other words, the medieval mind didn’t consider things from a meta perspective.  There is logic, but what about metalogic?  Logic functions, but is there a higher level logic to logic?  What are the necessary conditions for the possibility of logic to be at all?  One could probably trace out a deeper connection between the artistic forms that were created in different periods and the development of 3d perspectivalism on a 2d surface, compared with the philosophical and scientific questions that began to be asked in that period.  Were the developments in optics and the study of light influential on the Renaissance portrayal of 3d perspectives?  I’m sure they were.   However, it had not entered the mind of medieval man to think in meta or transcendental categories.

It is true that ancient and medieval man posited transcendental arguments: Aristotle presents one for the law of non-contradiction, as well as filling out a more specific consideration of the different categories, which do match up in certain ways to Kant’s categories, so it’s not correct to say the medievals had no idea of what a “transcendental” was, or what a transcendental kind of argument was.   It is correct to say they did not consider the various sciences and arts from the perspective of how they are possible – what the necessary conditions for the possibility of those things to be were.  When the secular scientistic revolution occurred asking a lot of these questions, western Theism marched confidently along professing the same old, tired arguments that were unprepared to meet the level of questioning the revolutionaries were asking.  Western theology was ill-equipped due to its own assumptions about God’s existence being strictly the same as His essence, Actus Purus, an absolutely simple monad, with all human predicates equalling the divine ousia itself.

Read the rest of this article at -  https://jaysanalysis.com/2013/10/26/numbers-prove-god/

The Hidden Meaning Behind These 10 Classic Fantasy Films

Good stuff from Jennifer Sodini and Jay's Analysis.  The larger point here is that almost all movies have some symbolic message or messages they are designed to convey at a deeper level.  The more we learn about how to look and what to look for, the more these movies reveal.

jay008 / April 26, 2015

Essence of 80s.

By: Jennifer Sodini and Jay Dyer
Collective Evolution

Nostalgia is defined as the “sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.” The feeling can sometimes be evoked from music, a pleasant memory of the past, or any sensory perception that was crystallized in time by a fondly experienced moment. An extremely powerful medium for evoking nostalgia is film, because it has the ability to touch our consciousness on multiple levels, as well as on a deeper, subconscious level we are not even aware of until we intentionally take a look back and analyze.
Fantasy and sci/fi films in particular tend to evoke the affectionate feeling of nostalgia, as well as whimsy, because of the fantastical dreamscapes and imagery they contain. Analyzing the deeper subliminal messages encoded within these films, we find there may be a “hidden hand” at work that intentionally orchestrated esoteric subplots whose roots can be found in ancient hermetic teaching/mystery school tradition.
Below I’ve compiled a list, along with Jay Dyer of Jay’s Analysis, which explains the subtext and symbolism of some of our favorite films.

1. The Neverending Story

Theosophy is a system of esoteric philosophy concerning the mysteries of being and nature, particularly concerning the nature of divinity. “The Secret Doctrine” by HP Blavatsky, published in 1888, is viewed by many as the text responsible for the New Age movement. The sister of Theosophy, Anthroposophy, developed by Rudolf Steiner, shares a similar ethos, yet can be more related to Spirit Science as opposed to New Age.
So, how does The Neverending Story relate to these concepts? Let’s explore…
In The Neverending Story, the central symbolic image is the ouroboros. Protagonaist Bastian encounters a magician in a bookstore and attempts to read his occult wonderworking text, The Neverending Story, replete with an Ouroboros on the cover. As it turns out, Bastian is himself written into, and participates in, the process of creating this story. In literature studies, this is known as metafiction, where the narrative is taken to another level – an appropriate usage in this case, since the view of alternate worlds and and all possible worlds comes into play. This is significant because the film is working from a paradigm in which notions of a multi-verse ends up necessitating that all possibilities are eventually made actual. The Ouroboros symbolizes this concept in ancient religions, as well as in gnosticism and hermeticism with the notion of eternal return.
We discover that Bastian must ultimately must rename the Empress, giving her the name of his dead mother, who we find out is called “Moon Child.” Bastian screams “Moon Child!” when Fantasia is imploding, and “Moonchild” has the occult association with a novel by Aleister Crowley. Its usage also links the Empress with Bastian’s mother, or the feminine sophia archetype. Indeed, research into the scheme author Michael Ende drew up for Fantasia reveals that the Empress is the feminine embodiment of the spirit of Fantasia. She is then the “soul of the world,” or the anima mundi, in Platonic parlance. It is also interesting that she appears as a kind of Venus or Aphrodite, as well as being associated with vaginal imagery. She is the virgin queen sophia, who lacks the male principle – a role Bastian must fill when Fantasia is re-created after the chaos of the Nothing.

2. E.T.

Like Close Encounters of the Third Kind, E.T. is loaded with esoteric and conspiratorial clues and messages, but also has its own unique emphasis, providing 80’s youths with a new approach to the issue of other-worldly beings. That is also the theme of E.T., though with E.T. the imagery is intended to evoke the subconscious of the youth. Close Encounters is an adult’s story, while E.T. is for kids. Both films focus heavily on communication, language, and symbols, and involve complex usages of synchronicity, foreshadowing, and occult symbology.
For example, moon imagery comes to the fore with E.T., and in the iconic scenes we can derive a deeper meaning: it is significant that it is under the moon that Elliot first encounters E.T. The moon has an important role in mythology, regulating the female ovulatory cycle, and is thus associated with femininity. In astrology, the moon has a direct influence on human actions, and here, as a possible “moonchild,” Elliot encounters what will be his familiar. My contention with E.T. is that he is more like a familiar spirit than an “alien.” In classical descriptions of the familiar, the spirit can be associated with an animal. Is Elliot a kind of “Moonchild,” referencing the Crowleyan mythology of a demonic insemination? Elliot is spoken of as chosen, and through E.T. will have magical powers.

3. The Dark Crystal

Set in a mythical world like Fantasia, The Dark Crystal is Jim Henson’s mystical puppet masterpiece. Focusing on the notion of a 1,000 year cycle, this world is premised on a Hindu theme, similar to the doctrine of Kali Yuga, where we are currently entering an age dominated by chaos, the demonic, strife, and discord. This is also similar to the notion espoused by other occultists that this is the aeon of the child, or of Horus, etc. Occultist Madame Blavatsky also formulated theories of numerous other races and worlds that preceded our own, and the Babylonian Talmud mentioned such ideas as well. It becomes evident that Henson, like Lucas, borrowed heavily from the mythology of various cultures in constructing this narrative.
Eastern dualist conceptions occupy a prominent role in the film, where the Skekses represent the left hand path of severity and cruelty, control and empire, while the “gentle mystics” represent the “gentle ways of natural wizards.” The Skekses are harbingers of technology and power, harnessing the Dark Crystal for the purpose of advanced control mechanisms and even brainwashing, while the mystics are in tune with nature and the forest. The Mystics chant the Buddhist “Om,” further reinforcing the eastern religious conceptions, while the Skekses are busy enacting the “Ceremony of the Sun” for the passing of the Emperor, which brings to mind ancient imperial Egyptian theology and its identification of Pharaoh as son of Ra.

Read the rest of this article at -  https://jaysanalysis.com/2015/04/26/the-hidden-meaning-behind-these-10-classic-fantasy-films/

Brussels Attacks, Predictive Programming Numerology & EU Babel by Jay Dyer

Interesting conversation on the multiple areas of confusion or outright disagreement from Belgian/EU officials on the bombing in Brussels.  Jay and Tim Kelly then branch out to cover other "false flag" (i.e. fake) events over the last 50 years as well as some of the numerology symbols involved in the bombing. Interesting stuff

Brussels went into full lockdown mode following an apparent double terror attack that occurred at the Brussels airport and Maelbeek metro station earlier this week, not far from the European Union’s headquarters in the downtown city center.

As previously reported here at 21WIRE, the U.S. embassy declared a security emergency following the Brussels terror attacks, instructing all American citizens to “shelter in place,” in what is now said to be an attack carried out by ISIS  – or so we’ve been told…

‘BRUSSELS BOMBERS’ –  Khalid el-Bakraoui and his brother Ibrahim el-Bakraoui (Photo link thedailystar)

Meet the Cast

In early reports, the apparent ISIS-linked bombers, revealed to be brothers, allegedly blew themselves up in a double-suicide bomb attack in Brussels, Belgium’s capital city, at the main airport and a busy metro station downtown.

However, according to Belgian officials the two brothers were originally stated to have been at the airport together but both “were actually at two different locations and that one huge bomb left by a third terrorist failed to detonate at the airport.”

Brussels issued a notice for an individual seen pushing luggage through the airport, along with the two other suspects now said to be dead. All three were allegedly seen on CCTV footage at the airport, in a highly coordinated attack that the terror linked media organization Amaq agency says was an ISIS attack.

UPDATE* Brussels authorities and media have now claimed to have accurately identified the so-called third suspect in the bombing attacks and arrested or detained several others…
RT reports the following development:

“Two other men, identified as Aboubakar A and Rabah N, were also charged with terrorist activities and membership of a terrorist group. Rabah N was also wanted in connection with a recent Paris raid when police said they foiled a terrorist attack.

One more man, Abderamane A, will be detained for an extra 24 hours, the prosecutor added.”

THIRD SUSPECT or FOURTH SUSPECT? – Brussels issued a warrant for the man seen above (Faycal Cheffou) as the third person seen with pushing a cart of luggage with two of the other alleged attackers. (Photo link gootwitter)

The identity of two terror suspects in connection with the Brussels attack were uncovered by DNA records according to Belgium officials, while a another suspect named Najim Laachraoui, (alleged bomb-maker in the Paris attacks last November) was presumed to be on the loose, also died as a result of his part in the airport attack, with authorities describing his relationship with the Paris attackers:

“Laachraoui’s DNA was found on a suicide belt at the Bataclan music venue that was targeted by the terrorists along with an explosive device at the Stade du France.

His DNA was also recovered at several safe houses in Belgium used by the cell.

Laachraoui also used the false name Soufiane Kayal and was with suspected Paris attacker Salah Abdeslam in Hungary in Sept. 2015.”

This report added confusion to the already winding Brussels narrative, as it was initially reported Laachraoui was seen fleeing the airport, “One of the other men, seen wearing a hat, and believed to be Najim Laachraoui, was pushing a cart with a 35-pound bomb that failed to go off. He was seen leaving the airport and is being sought.”

Interestingly, as of March 26th, it appears the narrative has changed again, as Cheffou, is believed to have fled after the airport explosions and that Laachraoui was killed on the scene.

Also according to reports this week, the Maelbeek metro station explosion took place near some very important government buildings, including the EU’s main buildings, the European Parliament and the US embassy in Brussels – all of which, make the attack appear even more suspicious in nature, given the amount of security in the area on a daily basis.

We’re told that the attack at Maelbeek metro, was less than two miles away from the US embassy, as both European Commission Headquarters and the Council of the European Union were around a 1,000 feet from the popular exit, Rue de la Loi. Additionally, the European Parliament was just under 2,000 feet from the bombed station.

According to US officials, the Brussel’s attacks displays some of the similar hallmarks reported during the Boston bombing, and London’s 7/7 bombing:

“Belgian police were trying to locate a second man seen at the location of the subway bombing. The man was seen buying tickets in the subway with the confirmed suicide bomber, Khalid El Bakraoui, and both men had identical backpacks.”

“Belgian prosecutors have said at least four people were involved in Tuesday’s attacks on the Brussels airport and a subway train, including El Bakraoui and his brother Ibrahim.”

‘PLANTED EXPLOSIVES?’ – Blown-out windows mirror each other after an apparent suicide-bombing at Brussels airport. (Photo link qz)

According to the Associated Press, hundreds of civilians have been injured at both the Brussel-Zaventem airport and Maelbeek metro station, along with nearly three dozen killed:

“A Belgian security official says the death toll has risen to 34 in attacks on the Brussels airport and a subway station.

The official did not specify how many people were killed and wounded at each site. The official spoke on condition of anonymity because precise numbers were expected to be announced early Wednesday.

Earlier, the government had reported 20 dead at the Maelbeek metro station, in the heart of the European Union’s capital, and 11 dead at the airport, and scores of injured.”

Other media reports state there was a ‘twin blast’ in Brussels airport and one explosion at the metro station, downgraded to 31 killed in total as of March 24th.

Read more of this article at - http://21stcenturywire.com/2016/03/25/brussels-terrordrome-masterminds-fake-cctv-footage-eu-funded-terror-drills-prior-knowledge/

Terror Theatre: The EU Babel, Brussels Attack Numerology & Media Fakery

By: Jay Dyer

Once again the ritual enactment of terror theatre has proven useful to the western establishment, with Europe once more the focus of a new round of psychological warfare – the mental attack that is “terror” (I am refraining from talking about actual deaths, since we will see no bodies or evidence of said deaths).  What is actually dead is Europe, precisely because it long ago capitulated to the degenerate machinations of monied elites that long ago sought to replace the remnants and vestiges of traditional culture with masonic atheism, secularism and the Babel of the EU (conceived and drawn up long ago at Bilderberg through the Kalergi Plan).

Spiritually dead and rotting from a loss of tradition, it is no surprise the now toxic anti-culture of Europe has being co-opted by the Anglo-American system (through NATO and other globalist entities) to function as a means to both break down both Islam and the vestiges of Christianity through multi-cult clash, migrant movement and relocation, a warfare strategy. A great way to do this is mixing cultures and stoking the fire with synthetic terror.

It is no surprise, then, the thoroughly liberalized populations are unable to cope with the juggernaut of psy ops levelled against them, particularly when faced with establishment aided, funded and engineered terror against its own population.  It should be first evident the radical Jihadi model of Al Qaeda and ISIS both share the similar patterns of absurdity, contradiction and Hollywood-esque scripting we’ve seen in past episodes of Terror Theater.

After months of staged ISIS videos and “beheadings,” Charlie Hebdo, the Paris Attacks, the string of US “terror” and mass “shootings,” a new installment has been concocted as a purported “revenge” on the part of ISIS for the capture of the so-called “mastermind” of the Paris event.  Why, it sounds as if we are living through a season of Homeland or 24 – because we are, because the terror is scripted and engineered. As I wrote:

“We have also seen yet another ISIS “beheading” video that purports to kill two Japanese individuals following the silly ISIS “kid killer” production.  However, as expected, these videos also demonstrate alteration and staging, adding to the long list of Hollywood productions, and even the Japanese government is speaking out about the apparent staging.”000

Concerning the overriding plan and pattern for these “terror” events, we must look, not to radical Islam, but the NATO strategy of tension embodied in GLADIO and the stay behind units intended to sway public opinion away from “leftist” positions, into “right wing” order.  While the Cold War tension is no longer relevant, what is relevant is the usefulness of the strategy of tension, particularly in relation to the replacement of the Cold War dialectic with the new one, the “clash of civilization” between western “Christianity” (read rotting, toxic culture) and “Islam” (read western intelligence-run and staged radical Jihadis). Concerning Gladio, Three Monkies summarizes the book, NATO’s Secret Armies:

“The existence of the network is a fact. It has, at this stage, been confirmed by numerous heads of state, by three parliamentary investigations (Italy, Belgium and Switzerland), and not least by a bizarre* denial and subsequent confirmation of its existence by NATO itself in 1990. And yet, apart from those involved in the network, very few people know for sure how the network functioned, or how it defined its own role. There is enough evidence and personal testimony to suggest, at best, casual links to right wing terrorist groups active throughout the ’70s and ’80s, and at worst that this network was itself responsible for implementing the so-called ‘strategy of tension’; that is the deliberate use of terrorism to scare the voting population of a given country into a rightward shift politically, towards a ‘law and order’ style government. The questions are unanswered because, even in the case of parliamentary investigations, when researching the subject one sooner or later runs up against official secrecy regulations. Underlining the ‘off limits’ nature of the subject, a NATO diplomat was quoted as saying, “I wouldn’t expect too many questions to be answered, even though the Cold War is over. If there were any links to terrorist organisations, that sort of information would be buried very deep indeed” [Reuters 15th November 1990].”

The recent Brussels attack demonstrates all the same patterns as all the other “attacks” we’ve highlighted.  Before the event, we saw “warnings” of the coming wave of terror and threats from “ISIS” that these attacks would come.  None other than insider and President of Turkey, Erdogan himself spoke of the coming attack days beforehand, which is all the more ridiculous, given the fact that Turkey and the Erdogan regime have already been fingered as supporting ISIS, the supposed entity behind the attack, and profiting from the oil.  Turkey, you’ll recall is a NATO country and likely the origin of the ISIS “training” and thus the funneling into Syria for destabilization.  Belgium, of course, is also the headquarters of both NATO and the EU, and despite “tips” concerning a coming terror attack (as is always the case), these tips go ignored – because terror is precisely the point.  As I wrote last year:

“From Benghazi to Turkey, the ISIS “supply lines” are directly from NATO-controlled territory, and apparently it never occurs to the minds of Western media to ask where, in fact, the so-called Islamic State obtains their arms. The reason for this is obvious, as it would demonstrate that the Islamic State is not a homegrown, indigenous Wahhabist extremist group, but western creation, funded and aided like Al Qaeda since its inception, as Carter and Brzezinski openly discussed. Not much has changed in the international terror theater since 1979, save the targets.”

In Brussels, the official narrative is that two ISIS-affiliated men bombed a train station and a subway purportedly killing 31.  The first curiosity that occurred to me was elucidated by Shawn Helton of 21st Century Wire – the events appear to be the same scripting as the London 7/7 bombing, targeting public transportation and a subway.  In the wake of that attack, we saw the same story of missing “backpack man” on the run, while Rashid Aswat was reported to be working with MI5.
The date is also significant, with the numerology of 7/7 having an esoteric importance in relation to Crowley’s book of the same name, Liber OZ, or Liber 77.   This is relevant because the date of the Brussels attack was 3/22, the number of the lodge known as Skull and Bones, with the second bombing occurring at 9:11 AM.  For those who doubt the significance of the numerology, consider the curious incidents surrounding the Malaysian Plane fiasco I detailed here, noting the numerological elements of ciphers and cryptology:

JaysAnalysis has documented countless cases of film and television scripting being used for propaganda and psy ops in real covert operations, and this could be one of the more spectacular examples.  Also of note are the numerological associations that are not coincidental.  It should also be understood that according to the NSA itself in its scholarly publications, numerology and the occult have a long history of usage in cryptography and intelligence communications.  Twilight Language as investigated on this blog is confirmed as a real, legitimate form of cryptography in examples such as this linked article.  With all that in mind, and considering the propaganda and media blitz like this and this and this, while stories like this are ignored, it is not a stretch to consider the MH17 flight downing’s twilight language as a classic Mi6/CIA calling card.

Noting the parallels with Brussels and the previous Hebdo and Paris attacks, Helton comments again:

“Looking at the clues in Paris, leads directly to Brussels…

Following the first orchestrated Paris attack in January of 2015, Belgium was already in the periphery concerning terror networks, as a weapons supply cache was causally revealed by the Wall Street Journal, as well as a dark underground network of apparent militants:

 “An official with the Belgian federal prosecutor’s office said that a man presented himself to the police in Charleroi, a city in southern Belgium, saying he bought a car from Mr. Coulibaly’s wife, Hayat Boumeddiene, who is now believed to be living in Islamic State-controlled territory in Syria. Ms. Boumeddiene left France for Turkey a few days before the Paris attacks occurred.”  The police then searched the man’s home and discovered evidence that he was involved in weapons trafficking, the official said. A judge ordered the arrest of the man, who wasn’t identified. But officials say it is unclear whether Mr. Coulibaly bought any weapons from the man.”

Said and Cherif Kouachi named in the Charlie Hebdo attack, purchased AK-47 assault rifles and rocket launchers “for less than €5,000 near Gare du Midi, one of the main Brussels railway stations, located in a gritty area of the city.”

Beyond these details, the other oddities and anomalies that stood out to me were the largest drill in UK history a month ago, as reported by RT – costing a whopping 800k pounds, involving 1,000 actors staging an eerily similar attack of a subway.  If this were all, it might be coincidental, but following this mainstream news reported various new agencies running the wrong CCTV footage not once, but twice, from different “events” that purport to be the Brussels attack.  It goes without saying this shows we cannot trust the mainstream footage and reporting of the event.  To add insult to injury, it also emerged mainstream news photographers were also caught staging emotional scenery following the attack.

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And if that wasn’t ridiculous enough, the absurd tale of the Mormon Missionary named “Mason” gained viral traction by reporting the young zealot had been in attendance at not one, not two, but three recent terror spectacles.  Helton again comments, highlighting the absurdity of the theater of terror, and when read in light of the above analysis, it becomes clearer the strategy of terror is advantageous to the degenerate establishment precisely for the purpose of breaking down both cultures – Islam through toxic Americanism and annihilating whatever skeleton remains of the “Christian west” (despite the stilted narrative of the “AltRight” which laughs and mocks the mere mention of false flags, yet never examines media fakery):

“Survivors of Multiple Terror Events

Perhaps the most bizarre and extremely questionable story to come out since the Brussels attacks, were the reports of Mason Wells, a Mormon missionary, who allegedly survived three separate terror attacks since 2013 – Boston, Paris and Brussels.

Back in 2013, just after the Boston marathon bombing, the Washington Post ran an article including some interesting statistics about terror directly from the National Counterterrorism Center, which stated that:

“In the last five years, the odds of n American being killed in a terrorist attack have been about 1 in 20 million (that’s including both domestic attacks and overseas attacks).”

Here’s the Mason Wells story, as reported by ABC news…

000
 Just another coincidence? At those odds, it’s a near impossibility, and more likely we are looking at a role player of sorts.”

As a closing note, I would recommend this analysis as a good thesis as to what might connect, not just Brussels and Islamic terror, but the association of Olav Thon with both Breivik and Brussels (h/t John Adams): 

read this article at - http://jaysanalysis.com/2016/03/26/terror-theatre-the-eu-babel-brussels-attack-numerology-media-fakery/

Ex Machina – The Global A.I. Brain Revealed

One of the best movie reviews yet, chock with links to fascinating facts on the long history of transhumanism, and the article itself eventually discloses it's ultimate goal. Good stuff....

jay008 

Caleb, Ava and Nathan. Film poster.

By: Jay Dyer

Spoilers Ahead

Ex Machina is the latest incarnation of the familiar Short Circuit theme we’ve seen lately – but this film does not feature the madcap antics of Johnny 5 seducing Ally Sheedy. In Ex Machina, the bots are babes, and the babe bots are not happy about their male masters, and Steve Gutenberg is not one of them.  However, there is a lot of sexual innuendo and robo fetish in this download, and as you can imagine with a JaysAnalysis analysis, there’s a deeper, esoteric meaning!  Boot up your floppies and polish your laser discs because if there’s anything we can learn from Ex Machina, it’s that you can make a chick perfect and she still ain’t happy.

For most nerds, the robobabe is some kind of fantasy, but Ex Machina has an important lesson to teach all nerds: give up that pipe dream.  Recalling iconic imagery from Speilberg’s A.I., PKD and Blade Runner, here we have the archetypal tech geek who is coaxed into meeting a tech elite at his underground mountain facility following winning a “contest.”  As a low-level coder at Bluebook, the world’s largest search engine, Caleb Smith (Domhnall Gleeson) discovers his CEO,

Nathan Bateman’s (played by Oliver Isaac) home is actually a research facility for super advanced A.I.   Guarded by levels of security requiring key cards and shrouded in secrecy, Bateman’s zen architecture provides a stark contrast of cold techno logic against the lush green of the mountain forests, foreshadowing the coming faceoff between nature/man and A.I.  As with 2001: A Space Odyssey, man specifically will square off, not against the masculine HAL, but the feminine Ava (played by Alicia Vikander).

Caleb is instructed by Nathan to perform a series of Turing tests on Ava to see if she can pass by fooling him into thinking she is self-aware.  Boozing his way through the film, Nathan’s shady side gradually emerges as it becomes evident he is lying to Caleb.  Modelled on a seven-day week patterned after the days of creation in Genesis, each day Caleb conducts a “session” with Ava that involves a series of questions between them, as Nathan watches each session from his panoptic surveillance system.  Dating herself as “1,” Ava refuses to specify whether she is one day or one year old, indicating (following the climax) that she is not concerned with dates because she is the new number 1, the first, as a fembot replacement of Adam.

With lifelike precision, Ava is able to perfectly mimic human emotions and manipulate Caleb into thinking she is self-aware and experiences emotional attachment to him.  Utilizing his weakness as a horny, single tech geek, Ava we find has profiled Caleb from the beginning, and rather than winning a competition, the real study is not Ava, but a deep psychological operation on Caleb to see if he can be manipulated by A.I.  Nathan has planned all along to deceive Caleb into thinking he is special, and through mass surveillance data collected globally, Nathan is able to construct the perfect A.I. deception based on Caleb’s online footprint and psych profile.

Readers will recall that I highlighted in this very idea in past articles, explaining that social media and search engines themselves are designed ultimately to provide the synthetic version of the subconscious for the “global brain.”  The global brain is a real plan, and as highlighted in my analysis of Spike Jonze’s Her, it will be linked into the supercomputers, the Internet of Things, and the mass data from search engines and social media.  All of this is explicitly stated and revealed in the plot of Ex Machina, even to the point of Caleb sounding like he was reading directly from JaysAnalysis articles – that problems in the philosophy of linguistics and pattern recognition would be central to avoiding the Godelian “loop” of determined reactions, that might be circumvented by linking the A.I. to the “global brain.” As I wrote in reference to Her:

Ava, the embodiment of Lilith, Sophia and the Golem.

Bill Joy, in his famous piece “Why the Future Doesn’t Need Us,” warned of this years ago in Wired Magazine, but what deep researchers know is that this has been the century-long terminus of the entire establishment. More recently, I have also delved into the Manhattan Project as the major, over-arching program that, like MK ULTRA, is actually a name for numerous side projects. With Manhattan for example, the front that it was merely about building the bomb is only a cover story.

The Manhattan Project also reaches as far as the Salk Institute, brain initiatives, mass innoculations (via Dr. Salk), and much, much more. Even now, the Manhattan Projects many transformations has led to its present incarnation as the Department of Energy, and Oak Ridge, TN’s old atomic factory is now the home to an NSA supercomuputer (under the Department of Energy).  Supercomputers like these are the backbone of this “global brain.”

Read the rest of this article at -  http://jaysanalysis.com/2015/04/26/ex-machina-the-global-a-i-brain-revealed/

Avengers: Age of Ultron – Gods of the Rising Technocratic Aeon

Great stuff on the future that's being prepared for us in these types of movies, movies that include curent technology and some that's not far away, if it's not here already...

Film poster. Image: Wikipedia.com

By: Jay Dyer

Joss Whedon’s follow-up to The Avengers, Avengers: Age of Ultron, is setting new box office records for Marvel, and has roughly the same degree of critical response as the first.  A few days ago, I analyzed the first in anticipation for the follow-up that premiered in the U.S. this weekend, noting the A.I. takeover plot, and the sequel was even more esoterically themed and blatant in its presentation.  Hollywood is making it difficult for me not to write the same A.I. analysis over and over, but some new ground is tread here to investigate in the midst of the same pattern we’ve been witnessing of late, the extinction of man through mass depopulation and his subjugation and/or replacement with an A.I. control grid.

In Age of Utron, the Avengers team discovers genetic experimentation is still ongoing at a secret Hydra facility in Eastern Europe.  Black Widow (Scarlett Johansson) explicitly references the U.S. and Nazi experimentation on humans and their importation into Allied nations following the War.  Recalling part one and Captain America: Winter Soldier, we are reminded that Hydra is the secret cabal that is running S.H.I.E.L.D. and NATO, much like the Bilderberg Group in our world.

Comprised of former S.S. like Prince Bernhard and corporate executives like Peter Thiel who openly advocates for transhumanism and mass micro-chipping, the fictional presentation of Hydra is spot on.
As a result of the human experimentation and genetic manipulation, Hydra has produced two new genetically-modified villains, the Twins, one of which is a babe with mind control abilities and some kind of explosive red glitz, and her brother, a Slavic Flash named Pietro.  Using her mind control techniques (as a product of mind control herself), Wanda Maximoff implants visions of the team’s darkest fears into each Avenger with the intention of dividing our heroes.  It is worth noting that Eastern Europe is actually the locale of numerous CIA “black sites” and mind control operations, dating back to World War II and through the Cold War.  See my audio summary here for more information on this:

 The MKULTRA/mind control is a common staple of Whedon’s science fiction works, from River Tam in Firefly to Hawkeye in Avengers and now Natasha Romanoff, too.  Romanoff we learn was an orphaned girl who was raised in Soviet Russia in a secret program to create programmed assassins out of young girls.  In the deep research I’ve done on various mind control programs over the last century, all of these elements are very real, with both Allied and Axis powers engaging in programs of a similar nature.  While it may seem unconnected, there is in fact a crucial link between A.I. research and the classic mind control programs, as MKULTRA morphed into MKSEARCH, which dealt with implantable chips and electronic control of motor functions.

Read the rest of this article at - http://jaysanalysis.com/2015/05/02/avengers-age-of-ultron-gods-of-the-rising-technocratic-aeon/

Fragmentation of the Psyche and the Nous

Psi and the Caduceus

By: Jay
The subject of dissociative identity disorder and the fracturing of the psyche is a complex topic that is becoming more mainstream through alternative media.  The causes, nature and extent of the disorder are still shrouded in mystery, though modern medicine and psychology do have a lot to say about the matter.  One of the reasons the disorder is controversial is that it doesn’t seem to fit well in the dominant materialist/biologist reductionism upon which mass science is built.   Given the presupposition of modern science that the psyche is entirely equated with the brain itself, the assumptions are thus that any possible solution to mental problems of this nature can only be remedied or suppressed through the addition of, and rearrangement of, molecular compounds.
This fact is seen most clearly in the pharmaceutical solution, which may provide temporary relief and the subduing of more manic tendencies, fails to address the spiritual dimension of man, excluding from the outset the psyche might be more than a series of neurons firing.  The monetary and propagandist power of these corporations, combined with the power to dictate the results through the funding of their “objective studies” that vindicate the latest happy pill, disavow from the outset any other approaches, models or therapeutic applications.  Despite the deep interconnectedness of the pharmaceutical industry with the intelligence agencies and psychological and biological warfare industries, few and far between are those who are willing to question this approach as a whole, due to the almost universal indoctrination of neo-Darwinian theory, which thus also preconditions all approaches to therapeutic psychology.

One example of the dilemma a proponent of the modern approach must grapple with is something I have highlighted in the past: if the DSM-V is the “bible” of psychological disorders, then one must accept that the DSM-V still cites older articles referencing mind-controlled alters.  If mind-controlled alters are a non-existent fiction of raving conspiracy lunatics, then the DSM-V is now subject to change (as it constantly is), and must be revised.  Of course, the DSM-V is constantly revised, as “disorders” suddenly appear quite frequently, all of which are dependent upon the theorizing of so-called experts that operate within the existing paradigm.  In this regard, we can see the clear incoherency at work: The circular nature of the existing psychological establishment vindicates the pharmaceutical establishment, which in turn provides the funding to vindicate the psychological establishment.  The circular establishment becomes the de facto final court of appeal, even as its theories and revisions are constantly over-turning each other in a perpetual cycle.

Since most people in this field are not familiar with psychological warfare, the military application of such techniques, and the origins and rise of the American Psychological Association and its cousin, the Tavistock Institute, the analogy with the advance of super technologies is appropriate – both “techniques” arise from the military application.  In other words, the technological advances of an entity like DARPA are for warfare purposes, even though they are marketed publicly as “humanitarian.”  In the same way, the application of modern psychology arose from Institutes and agencies concerned primarily with the subject of mass social engineering and psychological warfare.  It should come as no surprise the establishment remedies have such a low success rate.  Of course, what one considers a “success” and “progress” is determined by what one’s worldview and ends are, so from the perspective of mass social engineering, the present psychological establishment is a huge success, providing cheap mass experimentation and billions in profits.  If mass drugging of the populace into a catatonic, zombie-like state is the end goal, then the existing system can certainly claim it is a great, progressive success.

Through the chemical process, the alchemist seeks the transmutation of matter.

With this in mind, it is understandable why “alternative” approaches and forms of therapy are derided and laughed at, as the goal of modern “health” is not the integration and healing of the person as a whole, but the chemical treatment of the effects of the problem.  As with other fields of research, the “compartmentalization” of information is applied in psychology and medicine as it is in military information.  The long-term plans and goals of the pharmaceutical industry and their pill-pushing doctors are ignored at the expense of short-term gains, but the difficulty extends much deeper than the standard left/liberal approach to this question, where the true ends of these industries are almost entirely ascribed to monetary gain.   However the oligarchical elite that dominate the western establishment themselves have stated many times what the long-term goals of all these industries are, including “psychology” and the pharmaceutical application.  This is why, for example, treatments for disorders that have a higher success rate with cannabis are demonized, while synthetic versions of the same chemical are offered for ridiculous prices.

Unfortunately, the level at which discourse on the topic of cannabis is so dumbed-down and stupid on both sides of the aisle, it is almost futile to discuss, as both the left/liberal pothead are as clueless as the faux “conservative war on drugs” crusader.  Both sides of this question are unaware of the complexities involved, as the left/liberal sees the government as “the man” infringing on the “rights” of atomized nobodies wanting a good buzz.  On the other hand, moronic conservatives (so-called) are ignorant of the fact that the “war on drugs” was a covert plan for deep state control of the drug trade, criminalizing certain substances so both the black markets and pharmaceutical markets can maintain a monopolistic control.  For the left/liberal, the foolish trust in NGOs he believes are actually interested in his “freedom,” are actually promoting a destructive social agenda for think tanks that have a different strategy of social engineering than other think tanks.

Read the rest of this article at -  http://jaysanalysis.com/2015/04/05/fragmentation-of-the-psyche-and-the-nous/

007 Secrets: SPECTRE

Just in time for the upcoming movie.  Amazing how Fleming's novels from 50 years ago echo in the news today.  Could our reality really be that scripted?

The newest film in the 007 series will be titled SPECTRE, a fitting reference to the real cabals and cartels that rule the world. Indeed, SPECTRE is presented early on in From Russia with Love with this very feature – they are international, as opposed to SMERSH being Russian, and play nation states off against one another. Transitioning from the Soviet-affiliated SMERSH in the first Bond novel, Casino Royale, SMERSH transforms into SPECTRE, a formidable “terrorist” organization from the ambiguous East.

It is also telling that back in the 50s and 60s, Ian Fleming was already predicting the transition from the communist threat to the international terrorist threat – something that gave me the indication that Fleming novels are worth a deeper look. Even current media hysteria seems the product of a shrewd psychological operation: Sony claims to have been hacked by North Korea, with the SPECTRE script leaked, as well as Pyongyang supposedly threatening 9/11 style attacks on theaters that play Franco and Rogen’s The Interview. Such headlines might as well be ripped from the pages of Fleming’s books, since they’re truer to life than we might think.

Casino Royale Ca$h Options

There’s nothing crazy about suspecting that more is at work, given the plot of Skyfall surrounded a former MI6 operative, Mr. Silva (Javier Bardem), playing a hacker hell-bent on wreaking vengeful havoc on M (Judy Dench) and all of Her Majesty’s Secret Service. It is surely not coincidence that in Skyfall, Silva has “back door” technology that brings to mind PROMIS software or the recent hubbub involving NSA spying and Snowden. With these recent news events in mind, an analysis of Skyfall is overdue. In the reboot of Casino Royale, we saw Bond engaged in a bout with an associate of what we can assume will be SPECTRE, the infamous LeChiffre, and in my analysis of Casino Royale, I noted as follows concerning the real associations that can be made between LeChiffre’s secret organization and the real cartels that run the show:

In the beginning (of the Casino Royale novel), however, Bond is not after SMERSH, but a wealthy, disfigured rogue who stuck out on his own and created a “fifth column” from SMERSH, named LeChiffre.  LeChiffre translates as “the cypher,” letting us know more is at work here. LeChiffre, according to Bond writer Ian MacIntyre, was based on British Satanist/occultist Aleister Crowley.

In fact, Ian Fleming, it has recently been claimed by researcher Anthony Masters, was responsible for crafting the plot to lure Rudolph Hess to Scotland based on a bogus astrological chart that tickled Hess’ fancy, created by Crowley. The plot worked, apparently, and Hess parachuted into Scotland and was captured.  LeChiffre, “the cypher,” has curious features, and like many Bond villains a strange sexual appetite and fixation, in the same vein as Crowley.

Read the rest of this article at -  http://espionagehistoryarchive.com/2014/12/18/007-secrets-spectre/

Her (2013) – A Film About the Coming End of Man

Her – the dystopian love(less) story. Image: Wikipedia.com

By: Jay
Her is Spike Jonze’s 2013 dystopian love story starring Joaquin Phoenix as Theodore Twombly, a lonely beta male stuck on a failed relationship from years prior, piddling away at a dismal tech job in a vacant megalopolis. In this distincly Apple-esque, 1970s future, Theodore spends his days writing personalized E-greeting cards for others in relationships. The irony is apparent, as the “personal” cards are written by someone else, highlighting the almost completely synthetic, virtual nature of this future. This is the dominant theme of the film, and it is for this reason the film is relevant.

While we are inundated with an overload of apocalyptic and dystopian fiction the last decade or so, all seem to have their own insights, and the insight of Her is no small matter. When we think of pop fiction like The Matrix, we were struck by the metaphysical ponderings of the nature of the world system in which we inhabit.

In a film like Mad Max, we were asked to ponder controlled resource wars and the “civility” of civilization itself. In a more recent example like the Hunger Games, we are presented with a decadent Capitol City that has subjugated the nation under a brutal, Agenda 21-style socialist state obsessed with gladiatorial games sacrificing the young for the bloodlust of mindless masses.

Yet with all these dystopian tales, we still have an important human factor still in tact – that of love. Neo loves Trinity, Max loves his dog and the lost kids in Thunderdome, and Katniss loves her boy crush. The reason Her becomes such a radically ominous dystopia is that Theodore loves no one. The entirety of Theodore’s utterly alienated and atomized life is enveloped in the synthetic, which comes to its apogee in his relationship with his iOS (Operating System), names Samantha (voiced by Scarlett Johanssen). Prepare to be legitimately creeped out in the midst of a rather slow film, because what I have written and warned about is now coming in Apple’s future version of Siri, known as “Viv.”

Techgenmag explains:

“Her was called a science fiction movie. But what it might actually be is a viable premonition.

An ultra-secret start-up called Viv Labs is working on the future of artificial intelligence. The founders, the same guys who developed Siri, are responding to common criticisms behind Apple’s first artificial assistant. For example, Siri can give you a list of the hottest restaurants downtown, but she can’t make a reservation for next Thursday night. She can also tell you the latest deals on Amazon, but she can’t place an order for a pair of headphones. Although Siri can recognize 2 and 2, she can’t put them together.

 

On the other hand, not only will Viv recognize disparate requests, she will also be able to put them together. Basically, Viv is Siri with the ability to learn.

Viv – preparatory stage before Sam(antha)?

The smartest guys in tech are working around the clock to make a personal assistant who can plan your calendar, send emails, and buy goods and services – everything, in short, that Samantha, the AI in Her, could do. Viv can also establish connections between commands, the very ability that Siri lacks, and perform tasks outside her programming, which currently Siri can’t. This suggests that future iPhones may be equipped with functional artificial intelligence. Machines that know our lives better than we do.

 

The project is being kept heavily under wraps, but the guys at Viv have hinted that they’re working towards creating a “global brain,” a shared source of artificial intelligence that’s as readily accessible as heat or electricity.  It’s unclear how soon a breakthrough of this magnitude can happen. But if this team made Siri, you can bet their next project is going to blow the tech world to pieces.”

 

“Viv” just garnered a 12 million dollar budget, we’re told, to develop an A.I. that teach itself – precisely Samantha’s functional capability in the film. The creators boast that Viv will more so be a personal assistant that can converse, in contrast to Siri’s very basic capabilities. I might add that Siri is a DARPA “CALO” creation, demonstrating what I have been detailing for a few years now, which is the crucial puzzle piece in understanding the global technological race is a largely a scam.

Read the rest of this article at - http://jaysanalysis.com/2015/03/22/her-2013-a-film-about-the-coming-end-of-man/

Minority Report (2002) Esoteric Analysis – Pre-Crime is Now Here!

“Everybody Runs”

By: Jay

Spielberg’s Minority Report is now an important film to revisit.  Based on the short story by visionary science fiction author Phillip K. Dick, Spielberg’s film version implements an important number of predictive programming elements not found in Dick.  Both are worth a look, but the film is important for JaysAnalysis, since now 13 years later, we are actually seeing the implementation of the total technocratic takeover, including pre-crime tracking systems.

Although the film and the short story present the precognition as a metaphysical mystery by telepathic individuals who can see into the aether, the real pre-crime systems are based on A.I. and the digitizing of all records under total information awareness.  And as I’ve said, this was DARPA’s plan for the Internet all along.

In fact, a good friend of mine worked for a few years digitizing mass medical records, and while most are aware of Google’s attempts to digitize all books, most do not know why.  I’ve warned for several years now the end goal of all this digitization is not for “efficiency” and trendy techy cool iWatches to monitor heart rates and location.  The ultimate goal is total mind control, loss of free will and the complete rewrite of all past reality.

Consider, for example, the power the system will wield with the ability to “delete” all past versions of literature – religious texts, Shakespeare, 1984, nothing will be sacred and unable to be “revised.”  Remember that in 2009 Amazon erased Orwell’s 1984.  Your own past may even be deleted, subject to revision or altered to make you the next villain!  All this is revealed in detail in Minority Report.  Thus, while the public adopts “Kindles,” print itself is assigned the doom of the kindled fire – like Farenheit 451, as Richard Grove has said.

Minority Report’s setting is a 2055 dystopic D.C., where Agent John Anderton (Tom Cruise) is framed for two murders from within his own PreCrime Corporation ranks by the CEO, Lamar Burgess (Max Von Sydow). (Note: The existing system appears to be a merger of private and government sectors.)   I’m sure most readers have seen the film, so I’ll spare you detailed plot recaps and hit the highlights for the sake of our purposes.

“The Temple” – the new god for a new aeon, the predictive A.I. system.

 

The film’s PreCrime alerts a private corporation to a predetermined murder event ahead of time, giving the Agents of the corporation time to save victims.  Hailed as a perfect system, the infallibility of PreCrime has made D.C. the safest city in the world, with no murders for several years.  As a result, the PreCrime test requires a total surveillance society, something akin to complete panopticism.  In fact, the advertising in D.C. is user specific, targeting pedestrian’s personal desires based on retina scans – and all travel requires retinal scanning and mass microchipping.

Read the rest of this article at - http://jaysanalysis.com/2015/03/15/minority-report-2002-esoteric-analysis-pre-crime-is-now-here/

The Philosophy of Creation, Darwinian Evolution and the Absolute

God has made worlds of worlds, and infinite infinities. He Himself is the Absolute, Personal Infinity, Aleph Nought.

By: Jay

One of the most difficult things for people to readjust to is the counter-intuitive (or seemingly counter-intuitive) worldview in modified Platonism that I often refer to.  This reorientation shifts one’s entire perspective on the outer, external world, rendering it again a sacred space, infused with the Divine, as opposed to a brute, “material” realm dominated by chaos, entropy and death.  It is understandable why people prefer this grand narrative (and a depressing narrative it is), despite the protestations of those who opt for this paradigm that we in the other camp are “weak” for choosing older “fictions” like souls, angels and God.  To be sure, the materialists and servants of delusion of brute “matter” have their own deity – the impersonal “forces of nature,” but we’ll set that aside for the moment.

It is crucial that the psyche undergo this repentance, metanoia in Greek, and reorienting, as the attitude mentioned is that of fallen man, viewing his world as one devoid of the supernatural under the guise of “science.”  While the scientific method is certainly a useful tool (I read scientific material frequently), the lack of philosophical education on the part of that community is appalling.  It is precisely the hubristic impetus of fallen man that impels the hardcore dogmatists of the brute, impersonal forces of nature cult to stamp out all such ideas – even the slightest inkling by any of their ilk, tending toward the idea the psyche or mind may not be reduced to chemical reactions, must be swiftly punished.

This is why the discoveries and theses proposed in quantum physics are so disturbing to advocates of scientism, despite their good faith in future science to resolve all questions with strict rationalism.  Never mind the fact that “reason” itself is nonsensical in the deterministic paradigm of Darwinian naturalism, the crusaders of modern empiricism are committed adherents of the Holy Inquisition of Scientism, and no manner of logical argumentation can persuade them otherwise.  Those aware of an alternate version of human history, the Biblical narrative, in which man is a fallen creature in rebellion against his Creator, have a perfectly rational (indeed, the only rational) explanation of these events – and can even explain why man himself prefers his own self-imposed servitude, to quote Kant, rather than submission to the doctrine of Creation.

Creation is crucial because of the implications for the entirety of how man views and operates in the world.  Our worldview will determine the way we act, showing the old adage of lex orandi, lex credendi to be correct.  If the universe is a created reality, then the implications for how things like electrons, matter and other natural processes work will have vastly different meanings.  For example, if there is no Creation, and the universe is either eternal or illusory, the way we operate will be dictated accordingly.  We can look to history to show us cultures where such a fundamental presupposition dominated, such as Hindu India or ancient China.  In these cultures, the dominance of the Absolute as an impersonal reality, with a multitude of lesser deities to be supplicated created a vast array of self-destructive practices amongst those populations.  Starvation in India, while cattle roamed free as divine, and a “divine” emperor in China, where individual subjects had no personal identity.  These are merely examples of basic philosophical presuppositions that undergirded a culture and resulted in a praxis consistent therewith.

The Eagle Nebula.

Precisely because these cultures were suffused with the notion that time and the universe was eternal, it became a trap from which the wheel of time and “materiality” had to be escaped, through meditation, radical asceticism, or some other form of mystical gnosis.  If, on the other hand, “material” reality was a created reality, and not a self-subsisting eternal principle of its own, and the fundamental framework of the “stuff” of reality was designed and began at a point in time, the implications would be vastly different.  The creation account of Genesis, for example, presents a very different narrative of history and beginnings than these other accounts.  Although it has been fashionable for the last few hundred years to dismiss the Genesis narrative as a fictional mythology of numerous blended Ancient Near Eastern cosmologies, the fact is, the Creation account of Genesis presents a vastly different theology than any other religious account, aside from even the Egyptian account, which comes close.

This difference cannot be overstated: The biblical account posits that time and “matter” are not evils, traps or the source of any fundamentally oppositional principle, but are rather goods – inherently good, due to being created in time by a good God.  God, being good, does not “create” evil, as if it had any substantial or ontological being.  All being, in the metaphysical sense, in this sense, is created being, and created with the potential to receive the higher divine energies or powers of God.  In other words, creation was such that it was placed in a state in which it might be raised to even higher goods, but this does not mean creation was therefore “bad,” because its initial state was a lesser good.  There is no opposition or dialectic between the good being many, as later western philosophy, and in particular Platonism would posit.  This opposition of the good necessarily being absolutely One (the simple monad), was a Platonic idea that would have its precedent in ancient far eastern thought.

Read the rest of this article at - http://jaysanalysis.com/2015/03/05/the-philosophy-of-creation-darwinian-evolution-and-the-absolute/

Scorcese’s The Aviator – Howard Hughes, Hollywood & the CIA

Film poster for The Aviator. Image: Wikipedia.com

By: Jay

I thought we’d take a rest from the usual sci fi/transhumanist series of films I generally focus on and do something a bit different – Martin Scorcese’s 2004 The Aviator.  While most viewers probably found the Howard Hughes story a captivating dramatic portrayal, reviewing this film I was reminded of a lot of background dot connecting I had done in the ten years since it premiered related to Hughes.  As readers can probably imagine, the rabbit holes around Hughes that Scorcese only hints at are in fact much deeper and darker than Martin’s meta-narrative production revealed.

The Aviator was nominated for 11 academy awards, won five, and is undeniably a well-made film, yet in my estimation leaves out many key details in relation to the real story of Hughes.  Thus, in considering the nexus of intelligence, Hollywood and the occult, The Aviator and Hughes are key intersects for JaysAnalysis style material.  With that in mind, this analysis will not solely focus on the film, but aspects of Scorcese’s film and Hughes’ secrets in relation to the deep state shadow government.

In this regard, we can posit that Scorcese, being a longtime Hollywood insider, may have even chosen the meta aspects of The Aviator with Hughes’ film directing period to mirror the control of Hollywood by the establishment.  In other words, directors themselves are “directed,” as I’ve highlighted many times.  If that sounds outlandish, consider that Scorcese’s 2011 Hugo contains the theme of old Hollywood and the freedom and creativity director’s had in the silent era contrasted with the elite controlled, cookie-cutter simulacra that would come to characterize modern Hollywood.

Hugo is, in part, about the loss of creativity and the demise of Hollywood, so we can speculate that Scorcese is conveying that message earlier in The Aviator, as the film opens with Hughes filming his 1930 war (propaganda) epic, Hell’s Angles (the most expensive film of its day).  Hughes was a Hollywood outsider who filmed his work largely form his own pockets, and as a result, the military picked up on his skills for propaganda much like the establishment did with Kubrick and his collaboration with NASA.  The dark marriage comes to the fore once again!

Hughes’ engineering work also contributed to his contracts with the Air Force, as well as deals with Lockheed-Martin, leading to his rise in the formation of TWA.  Hughes would prove instrumental in the airline companies becoming global, but his rise also makes more sense given his intelligence connections he acquired, as we shall see.   Buddying up with the military industrial complex and working on a number of covert engineering and spy plane projects, Hughes became a source of danger for the establishment, given his knowledge.

Hughes’ 1930 war propaganda film, Hell’s Angels.

 

His eccentric behavior and extreme obsessive-compulsive tendencies combined with extreme paranoia didn’t help, either, with the CIA encircling Hughes in the form of Mormon bodyguards.  The Mormon mafia connections with Hughes would become evident in his death, bequeathing a billion and a half dollars to Mormon institutions.  Consider as well that the Mormon Church has a large CIA contingent, deriving many of its rituals from Freemasonry.

While all of this can be teased out from Wikipedia links, still deeper connections remain.  The CIA’s Robert Bennett had lucrative ties to Hughes through his front company (for the Agency), The Mullen Company, which included many connections to later Watergate figures, such as Chuck Colson.  Another crucial player was a former Mullen Company man and former boss of Bennett, the infamous E. Howard Hunt, who confessed on his death to a role in plotting the JFK assassination.

Read the rest of this article at - http://jaysanalysis.com/2015/03/04/scorceses-the-aviator-howard-hughes-hollywood-the-cia/

From Skyfall to SPECTRE: 007 Secrets

I'm re-posting this, but considering the attention the latest movie "Spectre" in the James Bond series is garnering, it's a worthy read.  Lots of insights behind the simple spy fights to save the world ideals.  Good stuff...

Film poster. Image: Imp Awards.

By: Jay
SPECTRE HACKS AND STEALS ‘SPECTRE’!

I thought it odd the new Bond film will be titled SPECTRE, as I have recently written an article about how the secretive organization from the film mirrors the real cabals and cartels that rule the real world, and in particular the black markets.  Indeed, SPECTRE is presented early on in From Russia with Love with this very feature – they are international, as opposed to SMERSH being Russian, and play nation states off against one another.  Transitioning from the Soviet-affiliated SMERSH in the first Bond novel, Casino Royale, SMERSH transforms into SPECTRE, a formidable “terrorist” organization from the ambiguous East.

It is telling that back in the 50s and 60s Fleming was already predicting the transition from the communist threat to the international terrorist threat – something that gave me the indication that Fleming novels are worth a deeper look. With the recent fiasco that is, in my analysis, a staged marketing trick, Sony claims to have been hacked by North Korea and had the SPECTRE script leaked, as well as the “hacker terrorists” threatening 9/11 style attacks on theaters (?) that play Franco and Rogen’s The Interview.
Casino Royale Ca$h Options
I suspect more is at work, given the plot of Skyfall surrounded a former Mi6 operative, Mr. Silva (Javier Bardem), playing a hell-bent hacker intent on wreaking vengeful havoc on M (Judy Dench) and all of Her Majesty’s Secret Service.   It is surely not coincidence that in Skyfall Silva has “back door” technology that brings to mind PROMIS software or the recent hubbub involving NSA spying and Snowden.  With these recent news events in mind, an analysis of Skyfall is overdue.  In the reboot of Casino Royale, we saw Bond engaged in a bout with an associate of what we can assume will be SPECTRE, the infamous LeChiffre, and in my analysis of Casino Royale, I noted as follows concerning the real associations that can be made between LeChiffre’s secret organization and the real cartels that run our world:

“In the beginning (of the Casino Royale novel), however, Bond is not after SMERSH, but a wealthy, disfigured rogue who stuck out on his own and created a “fifth column” from SMERSH, named LeChiffre.  LeChiffre translates as “the cypher,” letting us know more is at work here.  LeChiffre, according to Bond writer Ian MacIntyre, was based on British Satanist/occultist Aleister Crowley.
In fact, Ian Fleming, it has recently been claimed by researcher Anthony Masters, was responsible for crafting the plot to lure Rudolph Hess to Scotland based on a bogus astrological chart that tickled Hess’ fancy, created by Crowley. The plot worked, apparently, and Hess parachuted into Scotland and was captured.  LeChiffre, “the cypher,” has curious features, and like many Bond villains a strange sexual appetite and fixation, in the same vein as Crowley.”

And in regard to put options and dirty financial dealings before 9/11 we can see a curious parallel:

“You’ve got mail! Inbox: Blofeld (1) Image: suitsofjamesbond.com

“While LeChiffre funds an uprising, he simultaneously makes a call to his broker to sell a million puts on Skyfleet, an amorphous airline.  We get the impression LeChiffre plans a terror event that will in some way benefit his selling of the put options.  In terms of esoteric analysis, this begins to look strikingly like the events prior to 9/11 that those “in the know,” know about.  Prior to the terror events of that day, numerous puts had been placed on United Airline stocks, resulting in much speculation as to clear prior knowledge on the part of many in the power structure.  As you can see from this mainstream report, the establishment blames “rogue traders.”  Absurdly, the report purports the laughable line that the retard phony terrorists lurking in caves in Afghanistan were the masterminds behind not only the amazingly complex black operation of 9/11, but also the put options and insider trading.  Why, Al Qaeda is virtually omnipotent and omnipresent!  And in the narrative of Casino Royale, that is exactly what LeChiffre attempts to do, as he has engineered a bombing to occur on the release of a new prototype plane to be unveiled by Skyfleet.”

Quantum of No Solace

Moving to the sequel in the rebooted series, Quantum of Solace, alchemy comes to the fore in Bond’s failed attempt to “bond” with the feminine.  Quantum is the idea of matter or quantity or prima materia, and for Bond, a bit of peace and solace is never attained – primarily because he is a programmed killer, and the final betrayal of Vesper Lynd in Casino can only bring forth a cold, “The bitch is dead” from a unremorseful 007.  This is crucial for understanding Fleming’s novels, as they are just as littered with esoteric images as the films.  Quantum of Solace is a Fleming short story about Bond, but it is not like the film, aside from Bond’s inability to permanently pair with any babes (outside of getting laid).  So, alchemically we saw the Quantum villains have names that are colors, Mr. White, Mr. Green, etc.

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