Six-Toed Giants, Fallen Angels, And The Portals They Came Through
After a week on the road, having
covered hundreds of miles of reservations to walk amidst their multiple
ruins including hogans, temples, and kivas, to follow guides and visit
with a medicine man, not to mention tracking down and photographing
petroglyphs, we were finally on our way to the last site we would
visit—one that our Cherokee guide had told us not to miss.
We’d already collected enough pictogram and logogram images from ancient rock engravings throughout the Four Corners area to make our case and to calculate for our purposes a recurring theme, which definitely seemed to match the Middle Eastern and biblical stories of portals, reptilians, fallen angels, giants, and the havoc these played on the old world. But this final petroglyph was important, our guide had said, and one we could drive right up to. So, we decided to make one final excursion, this time into Utah, fifty miles north of Moab, where one of the largest known collections of petroglyphs is located in San Juan County. The “storyboard” we would visit there etched in sandstone began as early as one thousand years before Christ, and it records practically every element contained in the upcoming SkyWatchTV Special Investigative Report and the new book On The Path Of The Immortals—from spiral vortices and those who come through them to human-animal chimeras and even giant, six-fingered and six-toed footprints in pursuit of much smaller five-fingered and five-toed humans. Even that reptilian with his halo is drawn here, just a couple feet away from alien-looking, bug-eyed creatures. This location is also (again, a great thing for any reader) easier to get to than most of the ones we trekked to, yet it’s as important if not more so than other petroglyphs you could spend days hiking over miles of rough terrain to reach. (But again, if you can, I recommend that you do visit the Four Corners, get a hiking permit or a guide, and see as much as you can of what I started calling the “Anasazi Trail,” as much of this area includes evidence of a former time, in my opinion, an era when civilizations worldwide were suddenly and dramatically interrupted by those beings depicted on the Anasazi’s Utah wall.)
The Newspaper Rock Petroglyph, as this one is known, is somewhat decipherable as to which images are older due to the fading and darkness of the earliest depictions (which are certainly the most mysterious, with their alien-looking heads, suits, and what might be some type of craft), and archaeologists believe the writing on this great wall continued from 1000 BC or earlier up until about AD 1300—the same time the Anasazi suddenly disappeared.
But the National Parks sign admits:
I suggest “something else” is exactly what they tell us based on
redundancy of the same story told all around the world. The Anasazi, who
disappeared when the habit of writing on this tablet also suddenly
ceased, used images and symbols similar to those found globally that
connect to a first, and second, incursion of giants and the mountainous
gateways their creators came through.
And it wasn’t just me who immediately saw this story on the wall as a biblical one told through ancient American eyes. I could see it on Carl Olafsen and Allie Anderson’s faces too—my chief investigators—after we finished filming, packed up our drone (which we had been using to gather aerial film), and started the long drive back to our hotel. As I drove, I glanced at Carl in the rearview mirror, and I could see that he especially was deep in thought. Soon, he got a notepad out and began writing something, which later he gave me at the hotel. It said:
COMING IN MAY!
We’d already collected enough pictogram and logogram images from ancient rock engravings throughout the Four Corners area to make our case and to calculate for our purposes a recurring theme, which definitely seemed to match the Middle Eastern and biblical stories of portals, reptilians, fallen angels, giants, and the havoc these played on the old world. But this final petroglyph was important, our guide had said, and one we could drive right up to. So, we decided to make one final excursion, this time into Utah, fifty miles north of Moab, where one of the largest known collections of petroglyphs is located in San Juan County. The “storyboard” we would visit there etched in sandstone began as early as one thousand years before Christ, and it records practically every element contained in the upcoming SkyWatchTV Special Investigative Report and the new book On The Path Of The Immortals—from spiral vortices and those who come through them to human-animal chimeras and even giant, six-fingered and six-toed footprints in pursuit of much smaller five-fingered and five-toed humans. Even that reptilian with his halo is drawn here, just a couple feet away from alien-looking, bug-eyed creatures. This location is also (again, a great thing for any reader) easier to get to than most of the ones we trekked to, yet it’s as important if not more so than other petroglyphs you could spend days hiking over miles of rough terrain to reach. (But again, if you can, I recommend that you do visit the Four Corners, get a hiking permit or a guide, and see as much as you can of what I started calling the “Anasazi Trail,” as much of this area includes evidence of a former time, in my opinion, an era when civilizations worldwide were suddenly and dramatically interrupted by those beings depicted on the Anasazi’s Utah wall.)
The Newspaper Rock Petroglyph, as this one is known, is somewhat decipherable as to which images are older due to the fading and darkness of the earliest depictions (which are certainly the most mysterious, with their alien-looking heads, suits, and what might be some type of craft), and archaeologists believe the writing on this great wall continued from 1000 BC or earlier up until about AD 1300—the same time the Anasazi suddenly disappeared.
Allie Anderson gathers commentary on ancient petroglyphs for upcoming SkyWatch TV Special Report.
There are no known methods of dating
rock art. In interpreting the figures on the rock, scholars are
undecided as to their meaning or have yet to decipher them.
Unfortunately, we do not know if the figures represent story-telling,
doodling, hunting magic, clan symbols, ancient graffiti or something
else.
And it wasn’t just me who immediately saw this story on the wall as a biblical one told through ancient American eyes. I could see it on Carl Olafsen and Allie Anderson’s faces too—my chief investigators—after we finished filming, packed up our drone (which we had been using to gather aerial film), and started the long drive back to our hotel. As I drove, I glanced at Carl in the rearview mirror, and I could see that he especially was deep in thought. Soon, he got a notepad out and began writing something, which later he gave me at the hotel. It said:
Looking on that last petroglyph I
could see a multitude of antique memos: the spiral that Dr. Mose had
explained, the reptile with the halo at its head, footprints of animals,
footprints of people…suddenly I stopped. There was a path of human
footprints, each holding exactly five toes, alongside a path of giant
human footprints…the larger sets carrying six toes! I was reminded of 1
Chronicles 20:6:
And there was again war at
Gath, where there was a man of great stature, who had six fingers on
each hand and six toes on each foot, twenty-four in number, and he also
was descended from the giants.
Why would Native Americans concoct
the same anomalous physiology as the ancient Hebrews on the other side
of the world? While polydactylism certainly does not indicate someone is
a Nephilim, accounts of giants with an extra digit on both sides of the
Atlantic suggests a genetic relationship. On other places within the
ancient figures was a more mystifying anomaly: There were strange,
reptilian, humanoid shapes with bulbous heads and large, almond-shaped
eyes. The oldest and most desert-varnished of them was a humanoid shape
with what appeared to be an antennae coming off the head or helmet.
Other humanoid shapes had horn-like features coming off their distorted
human heads. One—the oldest appearing outline—appeared to be holding a
disc-like object or a weapon of some kind and stood near a shape that
had a square object affixed to the top of a shoulder-high post.
What could these figures have been
left to communicate to future travelers? What were the motives behind
the painstaking, time-consuming efforts of these messages? And where did
the Anasazi go? Archaeologists theorize that the Anasazi were just
absorbed into the Navajo and Hopi Tribes. But we were told in the Hogan
[by Dr. Mose] that the tribes looked for them and could not find them.
They tracked them to the Chaco valley but they were gone. The tribes
mourned them and cried. Chaco means “to cry.” The oral history knows
they just disappeared.
The question is…where, and why?
Carl Olafsen with Allie Anderson and Tom Horn at the entrance to an Anasazi ruins.
Read the rest of this article at - http://skywatchtv.com/2015/03/24/part-3-on-the-path-of-the-immortals-do-petroglyphs-tell-the-story/
