One of the more fanciful, or thought to be fanciful, topics I’ve been covering for a good while now is the subject of the relationship of the CIA to Hollywood. Recent blockbusters like Zero Dark Thirty and American Sniper focus on the military and intelligence agencies in supposed “based on true events” scenarios, but is more at work here? The film industry has always loved tales of espionage, but in reality, the creation and manufacturing of a completely alternate reality and history is far more extensive than most would assume. While many films have nobly challenged assumptions about war in figures like Kubrick or Stone, for the most part, film has functioned as one of the most powerful forms of propaganda in the western establishment’s arsenal.
Watching some old G.I. Joe cartoon episodes for an upcoming analysis, I was not surprised to find Harvard psychological consultants as part of the production of the show, as reaching the youth with propaganda is central to creating cubicle dwelling automatons later in life. Likewise, researching this as a thesis topic was also instrumental in making these connections, as was the mass of information in Peter Levenda’s Sinister Forces trilogy. More recently, a plethora of news articles have surfaced that highlight this deep relationship, as this rabbit hole never ends. The coalescing of intelligence agencies, secret societies and Hollywood in reality is more sensational than any incestuous cult a pulp crime fiction writer could dream up.
Author John Rizzo has recently published a book titled Company Man: Thirty Years of Controversy and Crisis in the CIA, which is an amazing admission of this scandalous affair between intelligence and the film industry. The L.A. Times comments:
“The CIA has long had a special relationship with the entertainment industry, devoting considerable attention to fostering relationships with Hollywood movers and shakers—studio executives, producers, directors, big-name actors,” John Rizzo, the former acting CIA general counsel, wrote in his new book, “Company Man: Thirty Years of Crisis and Controversy in the CIA….
The CIA also recruits actors to give more visibility to propaganda projects abroad, such as a documentary secretly produced by the agency, Rizzo said. And the agency sometimes takes advantage of the door-opening cachet that movie stars and other American celebrities enjoy. A star who met a world leader, for example, might be asked for details about that meeting.
The CIA has officials assigned full-time to the care and feeding of Hollywood assets, Rizzo wrote. Other former CIA officials added that some of those operatives work in the Los Angeles office of an agency department called the National Resources Division, which recruits people in the U.S. to help America spy abroad.”
With that in mind, recent news regarding Brittney Spears may reveal much more than the headline suggests. Researchers have opined that “rehab” centers may actually be used for “programming” the “stars” for various mind controlled objectives (as John Marks hints at in his Search for the Manchurian Candidate, pg. , whether as sex slaves or spies as Rizzo discusses. Author Dave McGowan has detailed the military and intelligence connections to Laurel Canyon, the home of the budding counter-culture rock movement in the 60s, which spawned acts like Zappa and the Doors. Military and intelligence connections thus come to the fore here with Brittney’s ex, who “coached her through rehab” being killed transporting “dignitaries” in Afghanistan – obviously an intelligence cover. Was Sundahl her helpful boyfriend, or was more at work here?The notion of mind controlled sex slaves and DID/MPD actors and singers is something still far-fetched for the masses, yet more and more information supporting this idea continues to come forward. In regard to Lady Gaga and Amanda Bynes, I recently wrote:
“The potential for abuse here is quite obvious. In my old article, I also relate how the modern psychiatric “bible,” known as the DSM-V still cites Dr. Estabrooks’ old essay, showing the present establishment views all this as authentic, as well as a host of films that portray mind control themes. In fact, it seems as if mind controlled assassins and alters is appearing in countless productions with increasing frequency. Remember – it was Hollywood that was making films about MKULTRA before it was even known to the public as a real program, as we see in the 1962 The Manchurian Candidate.
With this direct Hollywood connection in mind, we can see the likely possibility of the abuse of pop stars, who become high-priced commodities for the same establishment. I have written before about Candy Jones, and all the way up to the present, top stars are now alleging they were abused by their “handlers” and/or producers. While some cases may be publicity stunts, it is hard to believe they all are.
Read the rest of this article at - http://jaysanalysis.com/2015/01/27/hollywood-cia-a-dark-cult-marriage-revealed/